Chushingura; Or, The Treasury of Loyal RetainersTakeda, Izumo
History
Chushingura; Or, The Treasury of Loyal Retainers
Takeda, Izumo
Forty-seven Ronin -- Drama; Japan -- History -- Ako Vendetta, 1703 -- Drama
KONAMI. You say cruel things, mother. When I left home, my
father said to me that Oboshi Rikiya, _ronin_ as he is, is
unexceptionable in conduct and ability and I was fortunate
in having such a husband; since a chaste women never looks
upon a second husband, I was not, even though I parted from
him, to take another husband, for that would be the same as
the infidelity of a married woman; asleep or awake, I must
not forget to be tender to my husband and be dutiful to
Yuranosuke and his wife; I was not, though I lived on good
terms with my husband, to be in the least jealous and thus
run the risk of being divorced; and when I was about to
become a mother, I was not to conceal it from fear of
causing my father anxiety, but to let him know at once.
These were my father’s words and I remember them well. If I
am divorced and go home, I shall only increase his anxiety;
and whatever excuse or plea others may offer, I will marry
no one, if I cannot Master Rikiya.
RECITATIVE. On hearing Konami show her determination to
persist in her love, Tonase can endure no longer and,
overcome with tears, she draws her sword.
KONAMI. What are you going to do, mother?
RECITATIVE. As Konami restrains her, her mother raises her
face.
TONASE. Can you ask what I am going to do? As you say, your
father wishes to have the marriage ceremony performed as
soon as possible and to see the face of his first
grandchild; for such is ever the father’s love of his
daughter. When he is thus looking forward with great
pleasure, how can I take you home and tell him that you have
been divorced before even the wedding took place? And yet if
your mother-in-law refuses to take you in, we can do
nothing. Especially, as you are his former wife’s daughter
and none of my blood, he might think I was remiss in
bringing about your marriage, and I cannot go home alive.
When I am dead, you will tell your father what I have told
you and beg his forgiveness.
KONAMI. Ah, what you say is more than I deserve. It is I,
unloved of my husband, that should die. I am most undutiful
to you, for while I have hitherto received all kindness from
you, I am now causing you sorrow. Oh, kill me, I entreat,
with your own hand. I desire nothing more than to die here,
divorced as I am, in my husband’s house. Please, slay me at
once.
TONASE. Oh, well said; you have spoken bravely. I will not
kill you alone; but I will accompany you on the road to
Hades. When I have slain you with my own hand, I will soon
overtake you. Are you ready?
RECITATIVE. She bravely stops her tears and half rises.
TONASE. Oh, Konami, hear that. A _komuso_[4] is playing
outside on his flute the song of the “Nesting of the Crane.”
When even birds love their young, it is the clashing of
ill-starred karmas that I must slay an innocent child.
RECITATIVE. As she thinks of it, her legs can hardly support
her; and as she lifts at
*An itinerant minstrel of the _ronin_ class.
Public-domain text, read in full here on John Shaqi.
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