Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker.Cicero, Marcus Tullius
Philosophy
Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker.
Cicero, Marcus Tullius
Oratory -- Early works to 1800
We are, therefore, to delineate the Orator who differs equally from the
Eloquence of the Philosopher, the Sophist, the Historian, and the Poet.
He, then, is truly eloquent, (for after _him_ we must search, by the
direction of Antonius) who in the Forum, and in public debates, can so
speak, as to _prove_, _delight_, and _force the passions_. To _prove_, is
a matter of necessity:--to _delight_, is indispensably requisite to engage
the attention:--and to _force the passions_, is the surest means of
victory; for this contributes more effectually than both the others to get
a cause decided to our wishes. But as the duties of an Orator, so the
kinds of Elocution are three. The neat and accurate is used in _proving;_
the moderately florid in _delighting_ apd the vehement and impetuous in
_forcing_ _the passions,_ in which alone all the power of Eloquence
consists. Great, therefore, must be the judgment, and wonderful the
talents of the man, who can properly conduct, and, as it were, temper this
threefold variety: for he will at once determine what is suitable to every
case; and be always able to express himself as the nature of his subject
may require.
Discretion, therefore, is the basis of Eloquence, as well as of every
other accomplishment. For, as in the conduct of life, so in the practice
of Speaking, nothing is more difficult than to maintain a propriety of
character. This is called by the Greeks [Greek: to prepon], _the
becoming,_ but we shall call it _decorum;_--a subject which has been
excellently and very copiously canvassed, and richly merits our attention.
An unacquaintance with this has been the source of innumerable errors, not
only in the business of life, but in Poetry and Eloquence. An Orator,
therefore, should examine what is becoming, as well in the turn of his
language, as in that of his sentiments. For not every condition, not every
rank, not every character, nor every age, or place, or time, nor every
hearer is to be treated with the same invariable train either of sentiment
or expression:--but we should always consider in every part of a public
Oration, as well as of life, what will be most becoming,--a circumstance
which naturally depends on the nature of the subject, and the respective
characters of the Speaker and Hearer. Philosophers, therefore, have
carefully discussed this extensive and important topic in the doctrine of
Ethics, (though not, indeed, when they treat of right and wrong, because
those are invariably the fame:)--nor is it less attended to by the Critics
in their poetical Essays, or by men of Eloquence in every species and
every part of their public debates. For what would be more out of
character, than to use a lofty style, and ransack every topic of argument,
when we are speaking only of a petty trespass in some inferior court? Or,
on the other hand, to descend to any puerile subtilties, and speak with
the indifference and simplicity of a frivolous narrative, when we are
lashing treason and rebellion?
Public-domain text, read in full here on John Shaqi.
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