use of which they are subjected to invariable rules, which they are scarcely ever allowed to transgress. The two arts, therefore, are to be considered neither as wholly distinct, nor perfectly conjoined. This is the reason why our numbers are not to be so conspicuous in prose as in verse; and that in prose, what is called a _numerous_ style, does not always become so by the use of numbers, but sometimes either by the concinnity of our language, or the smooth juncture of our words. To conclude this head; If it should be enquired, "What are the numbers to be used in prose?" I answer, "_All_; though some are certainly better, and more adapted to it's character than others."--If "_Where_ is their proper seat?"--"In the different quantity of our syllables:"--If "From whence their _origin_?"--"From the sole pleasure of the ear:"--If "What the method of blending and intermingling them?"--"This shall be explained in the sequel, because it properly relates to the manner of using them, which was the fourth and last article in my division of the subject." If it be farther enquired, "For what purpose they are employed?" I answer,--"To gratify the ear:"--If "_When_?" I reply, "At all times:"--If "In what part of a sentence?" "Through the whole length of it:"--and if "What is the circumstance which gives them a pleasing effect?" "The same as in poetical compositions, whose metre is regulated by art, though the ear alone, without the assistance of art, can determine it's limits by the natural powers of sensation." Enough, therefore, has been said concerning the nature and properties of _number_. The next article to be considered is the manner in which our numbers should be employed,--a circumstance which requires to be accurately discussed.