Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker.Cicero, Marcus Tullius
Philosophy
Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker.
Cicero, Marcus Tullius
Oratory -- Early works to 1800
Our numbers will advance more rapidly by the use of short feet, and more
coolly and sedately by the use of long ones. The former are best adapted
to a warm and spirited style, and the latter to sober narratives and
explanations. But there are several numbers for concluding a period, one
of which (called the _dichoree_, or double _choree_, and consisting of a
long and a short syllable repeated alternately) is much in vogue with the
Asiatics; though among different people the same feet are distinguished by
different names. The _dichoree_, indeed, is not essentially bad for the
close of a sentence: but in prosaic numbers nothing can be more faulty
than a continued or frequent repetition of the same cadence: as the
_dichoree_, therefore, is a very sonorous number, we should be the more
sparing in the use of it, to prevent a satiety. _C. Carbo_, the son of
_Caius_, and a Tribune of the people, once said in a public trial in which
I was personally engaged,--"_O Marce Druse, Patrem appello_;" where you
may observe two _commas_, each consisting of two feet. He then made use of
the two following _colons_, each consisting of three feet,--"_Tu dicere
solebas, sacram esse Rempublicam:"--and afterwards of the period,--
"_Quicunque eam violavissent, ab omnibus esse ei poenas persolutas_" which
ends with a _dichoree_; for it is immaterial whether the last syllable is
long or short. He added, "_Patris dictum sapiens, temeritas filii
comprobavit_" concluding here also with a _dichoree_; which was received
with such a general burst of applause, as perfectly astonished me. But was
not this the effect of _number_?--Only change the order of the words, and
say,--"_Comprobavit filii temeritas_" and the spirit of them will be lost,
though the word _temeritas_ consists of three short syllables and a long
one, which is the favourite number of Aristotle, from whom, however, I
here beg leave to dissent. The words and sentiments are indeed the fame in
both cases; and yet, in the latter, though the understanding is satisfied,
the ear is not. But these harmonious cadences are not to be repeated too
often: for, in the first place, our _numbers_ will be soon discovered,--in
the next, they will excite the hearer's disgust,--and, at last, be
heartily despised on account of the apparent facility with which they are
formed.
Public-domain text, read in full here on John Shaqi.
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