‘Mr Hengler’s Establishment receives, as it deserves, the patronage of
immense audiences. The performances are so unique and varied, that they
cannot fail to please; while it is gratifying to perceive the strict
care that is taken to prevent anything that could offend the most
fastidious. The generality of such entertainments are more or less loose
in their morality; but the able and correct manner in which these
performances are conducted is testified by the fact, that they have met
with the approbation of the local clergy. The Rev. Vicar patronizes the
performance on Monday next. And on that occasion Mr Hengler affords free
admission to the day-schools connected with the Church of England.’
This, of course, was of great value to Mr Hengler; and the authorities
at Liverpool were duly apprised of it; and, in a few days, the welcome
intelligence was conveyed to Mr Hengler that his request had been
complied with, and Mr O’Hara was started off to make arrangements for
the erection of the circus. This he soon succeeded in doing, Messrs
Holmes and Nicol, the eminent builders, undertaking its erection.
This circus was opened by Mr Hengler on March the 15th, 1857. To give
some idea of its style and appointments, I cannot do better than quote
the following description from the _Liverpool Daily Mail_ of March 20th,
1857.
‘HENGLER’S CIRQUE VARIETIES.—During the present week Mr Charles Hengler
has opened, in Dale Street, a handsome, commodious, and spacious
theatre, devoted to equestrian performances, which has been constructed
by Messrs Holmes and Nicol of this town, on the model of Franconi’s
famous Cirque, in the Champs Elysees, Paris. The building, though of a
temporary character, is most admirably suited for the purpose for which
it is designed; and while accommodating an immense number of spectators,
who can all easily witness the performances, the ventilation is perfect,
and with an entire absence of draughts. There is nothing to offend the
senses of smell or sight. The audience is placed in compartments round
the circle; the frequenters of the boxes being seated on cushioned
chairs, with a carpeted flooring under their feet. The compartments
entitled pit and gallery are also very comfortable, while round the
whole building runs a spacious promenade. The ceiling is covered with
coloured folds of chintz, which give a brilliant and cleanly appearance;
and the pillars supporting the roof are neatly papered, and ornamented
with flags and shields. The whole aspect is, in fact, what has long been
a desideratum in this country, and we regret it will have to be pulled
down again in a few months.
‘With respect to the performances, we can only speak most highly; they
are decidedly the best we have witnessed here since the appearance of
the French Company.
Public-domain text, read in full here on John Shaqi.
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