‘“Oh, let it be,” says Sam,“ and let him be where he is; we’ll turn him
out in the morning, without his knowing what a beauty you have made him,
and that will serve him right for giving me so much trouble.”
‘So the fellow was left snoring on the sofa till morning, when, it
appears, he woke before we were about, and, finding himself in a strange
place, walked down-stairs, and quitted the house. We never saw him
again, but we often laughed as we thought of the figure the man must
have cut as he stalked into Stockton, and how he must have been laughed
at by his mates and the people he met on his way.
‘From Middlesborough we went to York, where the circus stood on St
George’s Field, an open space between the castle and the Ouse. About
that time, Webster Vernon left the company, and was succeeded as
ring-master by a gentleman named Vivian, who was quite new to the
profession, and whose adoption of it added another to the changes which
he had already known, though he was still quite a young man. He had been
a lawyer’s clerk, then a photographic colourist, and afterwards an
actor; and was a quiet, gentlemanly fellow, unlike the majority of
circus men, who are generally a fast, slangy set. He had married early,
and his wife, who was an actress, had an engagement in London—a frequent
cause of temporary separation among those whose business it is to amuse
the public, whether their lines lie in circuses, theatres, or
music-halls. Joe Ridley’s wife was in London, and Sam Sault had left his
better half in Manchester. Franks, and Adams, and old Zamezou, and Jem
Ridley, and the head groom had their wives with them; but two of the
five were connected with the circus, Adams’s wife taking money at the
gallery entrance, and the groom’s riding in _entrées_.
‘How did we do ballets? Well, they were _ballets d‘ action_, such as
used to be done at the music-halls by the Lauri family, and more lately
by Fred Evans and troupe. The Paynes starred in them at one time, but
generally they were done by the regular members of the company, usually
by Alf Burgess, and Funny Franks, and Joe Hogini, with Adele Newsome in
the leading lady’s part, the subordinate characters being taken by Marie
Newsome and Jane Adams, and my partner and I, and Charley Ducrow.
Public-domain text, read in full here on John Shaqi.
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