On the conclusion of the performance, they went round to what in a
theatre would be termed the stage-door, asked for their countryman, and
evinced undisguised disappointment on being informed that he could not
be seen. They repeated their application several times, but always with
the same result; and, the idea growing up in their minds that their
countryman was held in durance, and only liberated to appear in the
ring, they went to the police-court, and made an affidavit that such was
their belief. Pablo Fanque was, in consequence, called upon for an
explanation, and found himself obliged to produce the posturer in court,
and put him in the witness box to depose that he was not a countryman of
the troublesome Chineses, but a native of the Emerald Isle, who could
not speak a word of Chinese, and had never been in China in his life.
Pablo Fanque moved southward on leaving Glasgow, but he fell into
difficulties, and borrowed money of Batty, giving him a bill of sale
upon the circus and stud. Going into the midland districts, and finding
Newsome’s circus at Birmingham, he went on to Kidderminster, where,
failing to carry out his engagements with Batty, the latter took
possession of the concern, and announced it for sale. Becoming the
purchaser himself, he constituted Fanque manager, thus displacing
Wallett, who had been acting in that capacity for the late proprietor.
Wallett endeavoured to make an arrangement for the company and stud to
appear in the amphitheatre at Liverpool, but could not obtain Batty’s
acquiescence. Having engaged with Copeland to provide a circus company
and horses, Batty’s refusal to allow the Fanque troupe to go to
Liverpool put him to his shifts. Having to form a company in some way,
he engaged two equestrians, Hemming and Dale, who happened to be in
Liverpool without engagements; and hearing that John Clarke, then a very
old man, was in the neighbourhood, with three horses and as many clever
lads, he arranged with him for the whole. He then started for London by
the night train, roused William Cooke early in the morning, and hired of
him eight ring horses and a menage horse, at the same time engaging
Thomas Cooke for ring-master, with his pony, Prince, and his son, James
Cooke, the younger, as an equestrian. These were got down to Liverpool
with as little delay as possible, and the amphitheatre was opened for a
season that proved highly prosperous.
Public-domain text, read in full here on John Shaqi.
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