Wallett, the clown, on his return from his second American tour, having
acquired some money, was taken into partnership by Newsome, whose circus
was, in the words of the former, ‘one of the most complete concerns ever
seen,’ They opened at Birmingham, where good business was done for a few
months, after which they started on a tenting tour, with a stud of forty
horses. They returned to Birmingham for the winter, and showed their
thousands of patrons one of the finest amphitheatres ever opened in this
country. The ring, instead of having saw-dust or tan laid down, was
covered with pile matting of cocoa-nut fibre for the horses to run on,
while the central portion, where the ring-master cracks his whip and the
clown his ‘wheeze,’ boasted a circular carpet. The decorations of the
interior were rich and tasteful, and it was illuminated by a chandelier
by Defries, which had cost a thousand guineas.
The association of Wallett with Newsome continued for two years, after
which the circus was conducted by the latter single-handed, and the
former joined Pablo Fanque’s circus as clown. He is next found engaging
the talented Delavanti family for a tour, and afterwards coming with
them to London, where they were all engaged at Drury Lane Theatre, then
temporarily open for circus performances, under the management of Spence
Stokes, an American.
In 1865, Hengler’s company and stud came to London, and gave a series of
performances at the Stereorama, temporarily converted into a circus for
the purpose.
On the termination of these performances, and of William Cooke’s
lesseeship of Astley’s, London was without an amphitheatre for several
years, with the exception of a few months, when a small temporary circus
was opened in the back-slums of Lambeth Walk, by James Talliott,
formerly well known as a trapeze performer. The company and stud, which
were on a very limited scale, were supplied from Fossett’s circus, which
tented at fairs during the summer, and Talliott erected a temporary
circus for them on the yards at the back of a row of houses belonging to
him.
Public-domain text, read in full here on John Shaqi.
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