have mentioned ought to be able to liberate himself, however securely he
is tied, in a minute and a half.
I have performed this feat on several occasions for the satisfaction of
friends, and have always released myself in Redmond’s time, except on
one occasion, when I failed entirely, and had to be released by the
gentleman who had bound me. He had, unknown to me, made a noose at one
end of the rope, and this he passed over my head, after binding my arms
and knotting the rope behind me in such a manner that I could not move
either hand without producing a lively sense of strangulation.
‘I learned that trick in Australia,’ observed the author of my
discomfiture. ‘I tied up a black fellow like that in the bush; _and he
is there now_.’
CHAPTER X.
Opening of the Holborn Amphitheatre—Friend’s season at Astley’s—Adah
Isaacs Menken—Sanger’s Company at the Agricultural Hall—The Carré
troupe at the Holborn Amphitheatre—Wandering Stars of the
Arena—Albert Smith and the Clown—Guillaume’s Circus—The Circo
Price—Hengler’s Company at the Palais Royal—Re-opening of Astley’s
by the Sangers—Franconi’s Circus—Newsome’s Circus—Miss Newsome and
the Cheshire Hunt—Rivalry between the Sangers and Howes and Cushing.
After the lapse of several years, during which no equestrian
performances were given in the metropolis, though gymnastic and
acrobatic feats were exhibited nightly at a score of music-halls, a new
amphitheatre was, in 1868, erected on the north side of Holborn. There,
under the excellent management of Messrs Charman and Maccollum, have
been exhibited some of the finest acts of horsemanship, and the most
striking gymnastic feats, ever witnessed by this or any other
generation. Alfred Bradbury’s wonderful jockey act; James Robinson’s
great feat of hurdle-leaping on the bare back of a horse with a boy
standing upon his shoulders; the marvellous leap through a series of
hoops of George Delavanti; the astounding gymnastic performances of the
Hanlons and the Rizarelis; the extraordinary somersaulting and
rocket-like bound of the young lady known as Lulu; and the graceful
riding of Beatrice Chiarini, without saddle or bridle, will not soon be
forgotten by those who had the gratification of witnessing them.
Public-domain text, read in full here on John Shaqi.
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