The performances of Azella and Pereira had not satiated the public
appetite for the feats of female gymnasts, and the manager of the
Amphitheatre secured in Lulu a star of the first magnitude. Her triple
somersault is a feat in which she is still unrivalled; and though George
Conquest has since achieved her wonderful vertical spring of twenty-five
feet from the ring-fence, the means by which it is accomplished is still
a mystery. Lulu was succeeded by the Brothers Rizar, as they now chose
to be called, though they had gained immense applause a few years
previously at the Alhambra as the Brothers Rizareli. The double trapeze
of these clever gymnasts is perfectly unique, and must be seen to be
believed.
The Amphitheatre did not continue without a competitor for the patronage
of that portion of the public which delights in witnessing feats of
equestrianism and gymnastics. Hengler’s circus, after being located for
some time in Bristol, and afterwards in Dublin, settled down at the
Palais Royal, in Argyle Street, and introduced to the metropolis all the
Henglers and Powells, male and female, whose praises had been sounded by
the provincial press all over the kingdom. The most noteworthy members
of the company were Louise Hengler, an admirable horse-woman, who, like
Adele Newsome, rides and leaps in a ‘cross country’ fashion, over
hurdles and six-barred gates; James Lloyd, most experienced in his art,
and one of the neatest, as well as of the boldest, of riders; John
Milton Hengler, who danced on a tight-rope with a grace and skill which
fully justified the warmth of the applause with which the performance
was received; and Franks, the clown, who, before joining the Hengler
troupe, had been the chief exponent of fun and humour attached to
Newsome’s circus.
The circumstance of John M. Hengler dispensing with the balancing-pole
in his performance was mentioned by some of the newspaper critics as if
it was unique; but every frequenter of the London music-halls must have
observed the same feature in the similar performance of a member of the
clever Elliott family.
Public-domain text, read in full here on John Shaqi.
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