_5th chapel_, of San Carlo Borromeo (who practically replaced St. Roch in later cosmopolitan Catholicism as the chief plague-saint). The altar-piece, by Jordaens, represents the saint invoking the protection of Christ and Our Lady for the plague-stricken in the foreground. Painted for the town almoner. _6th chapel._ Three good portraits. _7th chapel._ Visitation, by Victor Wolfvoet. The =N. Transept= has the continuation of the Twelve Apostles, with two of the four Latin Fathers by the portal (the other two being at the opposite doorway). The =Chapel= (=of Our Lady=) resembles that in the S. Transept, and is equally terrible. =N. Aisle=: The _2nd chapel_ has a fine triptych by M. De Vos, of the Glory of Our Lady. _Centre_, the Court of Heaven, where the prominent position of Our Lady is unusual, and marks an advanced phase of her cult. In the assemblage of saints below, St. Peter, St. John-Baptist, and many others, may be recognised by their symbols. The _L. wing_ has the Calling of Matthew; the _R. wing_, St. Hubert, with the apparition of the crucifix between the horns of the stag. Beneath are good portraits of donors. The fine _stained glass window_ of this chapel is noteworthy. It represents the Last Supper, with donors (1538). The _3rd chapel_, of the Rockox family, has a good triptych, by Van Orley, of the Last Judgment. On the _wings_ are portraits of the donor and family. L., Adrian Rockox and sons, with his patron St. Adrian (sword, anvil). R., his wife, Catherine, with her daughters, and her patroness, St. Catherine. _4th chapel._ Good triptych by Balen. Centre, Adoration of the Magi; R. and L., Annunciation and Visitation. On a tomb opposite, good portraits by Ryckaert. _5th chapel._ Triptych, by M. De Vos: Presentation of Our Lady in the Temple. L., The Pagans attempt in vain to burn the body of St. Mark; R., Martyrdom of St. Lucy.