361. A good Pourbus. Beyond the door, 536, Flemish school: (Hugo Van der Goes?). Donor, a lady in a nun’s dress (?), with her name-saint, St. Barbara, bearing her palm as a martyr: in the background, her tower with the three windows. To balance it, 536, Her brother (?) or husband, with his patron, St. James. (Staff and scallop-shell.) Above, 84, Triptych by Jan Coninxloo of the History of St. Nicholas. (The wings are misplaced.) _R. wing_ (it should be L.), St. Nicholas, three days old, stands up in his bath to thank God for having brought him into the world. _Central panel_, the young St. Nicholas enthroned as Bishop of Myra. _L. wing_ (should be R.), The Death of St. Nicholas, with angels standing by to convey his soul to Heaven. A good transitional Flemish picture. Beneath, tolerable portraits. 361A. A late Flemish Virgin, with portrait of the donor and St. Francis receiving the stigmata. 572. Sir Anthony More. Portrait. Above it, 595, an Entombment, where note again the conventional grouping. 337. Wings of a triptych by Bernard van Orley. The centre is missing. L., Martyrdom of St. Matthias. R., The Doubting Thomas. In the background, Lazarus and Dives, and other episodes. Renaissance architecture. 4. Van Alsloot: The Procession of the Body of St. Gudula at Brussels: of the Spanish period, with the guilds named. Interest purely archæological. Each guild carries its mace and symbol. (The second part comes later.) 586. Above this, skied, are four good female saints, transitional, named on labels. 574. Portrait, of the school of Van Orley: lady with a pink, pleasing. Italian influence is obvious. 505. Portrait of a lady, by M. De Vos. Early 17th century, marking the latest transitional period. It belongs to a destroyed triptych. 79. Breughel the Elder: St. Michael the Archangel conquering the devils. A hideous nightmare of a morbid and disordered imagination. 627. Crucifixion, by an unknown German, with small figures of donors, and Rhine background. 597. German school. Tree of Jesse, of purely symbolical interest. 504. *Portrait by M. De Vos. Probably husband of (and pendant to) the previous one. It was the other wing of the same triptych. 5. Van Alsloot: Remainder of the Procession of St. Gudula, with a quaint dragon, and the Maison du Roi in the background. Observe, near the centre, the personification of the patron, St. Michael: elsewhere are St. Christopher, Ste. Gudule, etc.