City Crimes; Or, Life in New York and BostonThompson, George
General
City Crimes; Or, Life in New York and Boston
Thompson, George
Boston (Mass.) -- Fiction; Crime -- Fiction; New York (N.Y.) -- Fiction
Mrs. Belmont was now fully satisfied in her own mind that there was
nothing supernatural about the nocturnal intruders, but that they were
in reality substantial flesh and blood, and though she could not divine
how they had entered the house, she was much relieved and comforted by
the assurance that it was with _living_ men she had to deal--a
conviction which was amply confirmed the next morning, when the havoc
done to the eatables and drinkables was announced to her by the
indignant Susan.
In the afternoon Mr. Hedge called upon her as appointed, and dined with
his interesting and fascinating tenant.
After dinner, Julia caused the sofa to be wheeled in front of the
glorious fire which glowed in the grate (for the weather was intensely
cold) and seating herself, invited the old gentleman to place himself at
her side.
Then she exerted all her fine powers of discourse to increase his
admiration, and draw from him a declaration of love, and an offer of
marriage.
Wine was brought in, and gradually their spirits became enlivened by the
sparkling genii of the grape. The old man felt the fires of youth
careering through his veins, and his withered cheek was suffused with a
flush of passion.
'Beautiful Julia,' said he--'I observe that you have a magnificent
piano; will you favor me with an air?'
She smiled an assent, and her aged admirer conducted her to the
instrument with the most ceremonious politeness. After a brilliant
prelude, executed with artistic delicacy and skill, she dashed off into
a superb Italian air, which raised her listener (who was passionately
devoted to music,) into the seventh heaven of ecstasy.
'Glorious!--grand!' were his exclamations of delight, when she had
finished the air and she needed no urgent persuasion to induce her to
favor him with another.
Artfully and admirably did she compose an extempore song, adapted to
immediate circumstances, beginning--'I love no vain and fickle youth,'
and beautifully depicting the love of a young woman for a man advanced
in years. She sung it with a most touching air, and threw into her
countenance and style an expression of melting tenderness.
Ere she had terminated, the old gentleman was kneeling at her feet; and
pressing her fair hand to his lips.
Public-domain text, read in full here on John Shaqi.
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