City Crimes; Or, Life in New York and BostonThompson, George
General
City Crimes; Or, Life in New York and Boston
Thompson, George
Boston (Mass.) -- Fiction; Crime -- Fiction; New York (N.Y.) -- Fiction
One apartment he found carefully locked; and he was obliged to exert all
his strength to break in the door. This room was furnished in a style of
extravagant luxury; it was of great extent, and adorned with a multitude
of paintings and statues, all the size of life.
A silken curtain, suspended across the further end of the room, bore in
large gilt letters, the words 'Sanctuary of the Graces.' And behind the
curtain were collected a large number of figures, exquisitely made of
wax, representing males and females, large as life, and completely nude,
in every imaginable variety of posture, a few classical, others
voluptuous, and many positively obscene.
In this curious apartment--a perfect gallery of amorous
conceptions--Josephine and her mother were in the habit of consummating
those intrigues which they wished to invest with extraordinary _eclat_
and voluptuousness. Here they loved to feed their impure tastes by
contemplating every phase of licentious dalliance; and here they
indulged in extravagant orgies which will admit of no description.
The intruder into this singular scene noticed a small iron apparatus
attached to the wall; a sudden idea struck him--advancing, he touched a
spring, and instantly every wax figure was in motion, imitating the
movements of real life with wonderful fidelity! A closet in one corner
contained the machinery of these automatons; and the whole affair was
the invention of an ingenious German, whose talents had been misapplied
to its creation. It had formerly constituted a private exhibition; but,
after the murder of her husband, Mrs. Franklin had purchased it at a
large cost.
'By Satan!' cried the Dead Man--'those Franklins are ladies after my own
heart; lecherous, murderous and abandoned, they are meet companions for
me. What a splendid contrivance! It needs but the additions of myself
and the superb Josephine, to render it complete!'
He left the room, and entered an elegant bed-chamber which adjoined it.
It was the chamber of Josephine; and her full-length portrait hung upon
the wall; there was her proud brow, her wanton eyes, her magnificent
bust, uncovered, and seeming to swell with lascivious emotions.
Everything was sumptuous, yet everything lacked that beautiful propriety
which is so charming a characteristic of the arrangements of a virtuous
woman--one whose purity of soul is mirrored in all that surrounds her.
The bed, gorgeous though it was, seemed, in its shameless disorder, to
have been a nest of riotous harlotry. Costly garments lay trampled under
foot; a bird in a golden-wired prison, was gasping and dying for want of
nourishment; splendidly-bound books, with obscene contents, were
scattered here and there, and a delicate white slipper, which Cinderella
might have envied, was stuffed full with letters. The Dead Man examined
the documents; and among them was a paper, in the handwriting of
Josephine, which we shall take the liberty of transcribing:--
Public-domain text, read in full here on John Shaqi.
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