strenuous industry at its anvil? How better express its craft school, its local style and skill, its reaction too upon the town's life in peace and war, than by this Hal o' the Wynd by his forge? Nay, what better symbol than this hammer, this primitive tool and ever typical one, of the peaceful education of experience, form Prometheus to Kelvin, of the warlike, from Thor to modern cannon-forge? Turning now from Town and School to Cloister, to the life of secluded peace and meditation--from which, however, the practical issues of life are ever renewed--what plainer symbol, yet what more historic or more mystic one can we ask than this of the lamb with the banner? While of the contrasted yet complemental civic life of fullest, broadest action, what expression like the Roman eagle--the very eyes of keenness, and the spreading wings of power? So rarely perfect then is this civic symbol, that I must not omit to mention that it has only come to my notice since the body of this paper, with its four-fold analysis of cities as above outlined, was essentially finished. Since it thus has not in any particular suggested the treatment of cities here advocated, it is the more interesting and encouraging as a confirmation of it. It is also to my mind plain that in this, as in many other of our apparent "advances in science," and doubtless those in social studies particularly, we are but learning to think things anew, long after our forefathers have lived them, even expressed them--and these in their ways no less clear and popular than can ever be ours. That we may also again live them is once more curiously expressed by the same symbol; for its re-appearance is due to its having been appropriately revived, in a fitting art form, that of the commemorative and prize medal of the local arts and crafts exhibition, held in the new Public Library, under civic auspices. Little scrutiny of this last sentence will be needed to see the four-fold completeness of the civic event which it describes.