How he carved and ladled the gravy; how he flourished his knife and fork
with a joke all hot for every one; how he smiled when the thrice-helped
farmers sent for another slice, and laughed when the crow-boy was nearly
choked with plum-pudding; how he patted me on the head and caught me for
a kiss, when I, dressed up as head-waitress, with my long hair all tied
back, pulled his right arm and pointed to widow Hiatt’s plate--the
speech he made after dinner, when I was amazed at his eloquence and
clapped my little hands, and the way he made me stand up on a chair and
drink the Queen’s health first--then the hurrahs of the tenants and
servants, and how they kissed me outside--all this goes through my
memory as the smoke of the billet goes up the chimney, and the tears
steal under my eyelids.
Then I see the long hall afterwards, with the tables cleared away and
the lights hung round the tapestry, and the yule log roaring afresh; my
father (a type of the true English gentleman, not of the past but the
present century), holding the hand of his wife (a lady of no
condescending airs, but true womanly warmth and love)--both dressed for
the tenants’ ball as if for the lord-lieutenant’s; both eager to lead
off the country dance, and beating their feet to the music. Next them,
a laughing child in a little white frock and pink slip (scarce to be
known for myself), hand-in-hand with my brave chevalier, Master Roderick
Blount, accounted by Cooky and both lady’s-maids, and most of all by
himself, my duly affianced lord.
Then the housekeeper, starched beyond measure, yet not too stiff to
smile, and open for the nonce even to jokes about courtship, yielding
her gracious hand for the dance to the senior tenant, a man with great
calves, red face, and snow-white hair. After them come--
Hark! a loud knock and a ring. It is just in time before I begin the
palinode. Who can want me to-night? I want no one but those I cannot
have, whom the fire has now restored me, though the earth has hidden
them.
Mrs. Shelfer is hard at work in the kitchen, preparing a wonderful
supper for Charley, who has promised to come home. She has canvassed
the chance of his keeping this promise fifty times in the day. Hope
cries "yes;" experience whispers "no." At any rate the knock is not
his, for he always carries a latch-key.
She calls up the stairs "Miss Valence!" before she goes to the door, for
who knows but she might be murdered in the midst of her Christmas
pudding? I come out to prove my existence and stand in the dark on the
landing. She draws back the bolt; I hear a gruff voice as if it came
through a hat.
"Young ’ooman by the name of Clara Waun live here?"
"Yes to be sure; Miss Valence you mean, my good friend."
"The name on this here ticket ain’t Walence, but Waun."
"All right, my good friend. All right. It’s just the same."
Public-domain text, read in full here on John Shaqi.
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