"It was high time for me to turn: row as I would, I could hardly get
back to my haven by midnight. Outrigger skiffs were not yet known; and
an oarsman could not glide along at the rate of ten miles an hour. Just
as I was working round, a steam packet, which had been moored a short
way below, crippled perhaps in her engines, now at the turn of the tide
passed up, and was quickly out of sight. As she passed me I hailed for
a tow-rope; but either they could not hear, or they did not choose to
notice me. There was nothing for it but to bend my back to the oars,
and keep a sharp look out. Presently the flood began to make strongly up
the river, and I gave way with a will, my paddles bending and the water
gleaming in the early starlight. It was a lonely and melancholy scene.
The gray mist returning from some marshy excursion, and hugging the warm
sea-water, floated along in dull folds, with a white flaw of steam here
and there curdling over the current. Not a ship, not a barge was in
sight; no voice of men or low of cattle broke the foggy silence: but the
wash of the stream on its sludgy marge, or on some honey-combed
mooring-post, surged every now and then betwixt the jerks of my
rowlocks. The loneliness and the sadness harmonised with my sombre
mind. All is transient, all is selfish, all is a flux of melancholy.
If we toss and dance we are only boats adrift; we are nothing more than
crazy tide-posts, if we be philosophers.
"Suddenly a clear loud cry broke my vacant musings. It startled me so
that I caught a crab, ceased rowing, and gazed around. At first I could
not tell whence it came, till my boat, with the way she had on her, shot
round a low spit of the Essex shore, which from the curve of the river I
was nearing rapidly. Louder and louder the cry was twice repeated, and
I heard in the still spring evening the oaths of men and the scuffling
of feet. Within fifty yards of me was an ill-looking house, made of
battens, and raised on piles above high water mark. A tattered sign
hung on a pole, and a causeway led to the steps. While I was
hesitating, two figures crossed a lattice window, as if in violent
struggle, and a heavy crash resounded. Three strong strokes of my oars,
and the keel grated on the causeway. Out I leaped with the boat-hook,
threw the painter over a post, and rushed up the slimy jetty, and the
narrow wooden steps. The door was fastened, I pushed it with all my
force, but in vain. One faint scream reached my ears, as of some one at
length overpowered. Swinging the boat-hook with both hands, I struck
the old door with the butt, and broke it open. In the lower room there
was no one, but a moaning and trampling sounded over head. Upstairs I
ran, and into the room where the villany was doing. A poor girl lay on
the floor at the last gasp of exhaustion. Two ruffians with a rope were
bending over her. Down went one, at a blow of my boat-hook, flat beside
his victim: the other leaped at my throat.
Public-domain text, read in full here on John Shaqi.
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