I knew that arm at once. Sticking out at the joints, like the spurs of
a pear-tree, welted and wired with muscle between them, like the
drumstick of a turkey, but flat as if plaited of hide, no friend of mine
could claim it, except the Corsican Cora. Deliberately she drove the
nails, like a gardener training a tree, paying undue attention to her
skinny knuckles; then she lifted the sacks, stooped down and looked in,
grimly reconnoitring me. By the slanting light I saw what a horrible
place I lay in. Around and under me, on the furrowed timber, were dull
plum-coloured blotches, where the slowly trickling blood of many an
unlucky dog and cat had curdled; even if there were not any shed from
nobler veins. Reaching in a back-handed way towards the jagged margin,
I grasped a cold hard cylinder. It was an iron hold-fast, like, but
larger than the instrument to be seen in every carpenter’s bench, which
works in a collared hole, and has a claw for clutching. Under it, no
doubt, many a poor live victim had quivered and sobbed in vain. At my
head were two square slides, fitted with straps of stout unyielding web.
Near them was a rasped iron plane working along a metal bed or groove,
with a solid T piece, and a winch to adjust it.
As with morbid observation I surveyed these fiendish devices, and many
others which I cannot stop to tell of, I who love almost every creature
made by our own Maker, especially those to whom we are lent as Gods, my
flesh, I say, began to creep, and my blood to curdle, as if the
dissecting knife were already in my diaphragm. Surely those who in full
manhood torture His innocent creatures--poor things that cannot plead or
weep, but worship the foot that kicks them--surely these, if any, we may
without presumption say that He who made will judge. Four brief lines
by a modern poet, too well known for me to quote them, express a grand
and simple truth, seldom denied, more seldom felt.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account