"Now, my dearest Idols, you must not disturb these things. Your father
will be so vexed."
Would he though?--said I to myself--not if he knew whose hand it was
that did it. She paid no attention to me.
"Now just put back that silver knife, with the bit of peach-skin upon
it: and leave the stone as it was."
To my surprise she began to suck the stone, which her mother perhaps had
sucked, eighteen years ago. Inside the paper was written, "Knife and
peach-stone found in my Lily’s pocket. The stone was meant for me to
set. I will plant it, when I have found her children. E.V., January,
1834."
"Now, you foolish child, you are really too bad." And with that I gave
her a little push. In her heedless way, she fell almost into the box,
and her light form lay amongst her mother’s dresses. A sudden thought
flashed across me.
"Isola, off with that nasty dark frock!"
"Nasty, indeed, Clara! Why you said this morning how very pretty it
was."
"What has that to do with it? Pull it off, or I’ll tear it. Now, out
with the other arm."
In a moment or two, I had all her beauty gleaming in white before me;
and carefully taking from the box a frock of pale blue silk, I lifted it
over her head, and drew her dimpled arms through the sleeves; then I
fixed it in front with the turquoise buttons, and buckled the slender
zone. Her blue eyes looked on in amazement, like violets at a
snow-storm. Then I led her to the mirror, and proud as we both had
always been of her beauty, the same thought struck us now. I saw it in
the mirror, by the toss of her pointed chin and the coy bend of her
neck: she saw it there as clearly, by the flash of my tear-bright eyes.
Neither of us had ever seen that loveliest of all girls look half so
lovely before. The glow of pride and beauty’s glory mantled in her
cheeks; and her eyes were softly beaming down the avenue of lashes, from
clearest depths of azure. I never saw such eyes as she had, among all
our English beauties. Some perhaps are as fine of colour, and as
liquid, though not so lustrous: but the exquisite arch of the upper lid,
and the rich short fringe of the lower, cast a tremulous light and
shade, which dull Anglo-Saxons feel not. Like moonbeams playing through
a mantled bridge.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account