Though I could not understand his motive, and he was pleased to conceal
it, I promised all he asked. Then I told him all the story of Conrad
and the accident, how he saved my mother’s life and mine, with the
courage and skill of a true-born mountaineer. My Uncle was moved to
tears, not only at the gallantry of his son, but also by the joy of
discovering that all the obligations lay not upon one side. I also wept
at finding that Lily had never heard of it. Conrad’s lofty nature
scorned to narrate its own achievements. When, after that adventure, he
discovered who we were, he avoided us because he believed that his
father had slain mine. It was not till a later date, when he became of
age--as the Corsicans reckon manhood[#]--that Lepardo Della Croce told
him all he knew of his history, dwelt on the foul shame wrought to the
Della Croce by his bigamist father, and tried in vain to force on him
the awful oath of Vendetta. The youth had too much English blood in his
heart to accept the black inheritance. Thenceforth he could not bear
the sight of the man who had killed, as they both supposed, his father,
although, in his wrath for his mother’s wrongs and his own, he would not
resent the deed. What marvel then that he spurned me, and was maddened
with himself, at finding that he, the illegitimate, was in love with me,
his legitimate sister? But now, we are only half-cousins, and nature
has never misled us.
[#] _i.e._ the age of twenty.
All that evening, my Uncle was in the most glorious spirits, and I am
not sure that Lily and I were very far behind him. He played us all
sorts of boyish tricks, and we made reprisals with girlish ones, till
Lily’s joyous laughter rang halfway clown the corridor. I had dressed
her with especial care, and she did look such a love! But it was all too
sudden, and far too sweet to last. My Uncle indeed seemed quite beside
himself, more gladsome than nature allows us to be with impunity. Then
the vein dried all of a sudden, and the mind flowed the opposite way.
He made his beautiful daughter, who, though not much of a sophist, had a
soul that thrilled to music, he made her play the soft Corsican airs,
that seem to weep as they breathe, and which she had learned from old
Cora. He knew them all; how well he knew them, his face turned from the
light betrayed. The depth of melodious sadness, the touch of some
nervine chord, which knew not its own existence, and starts to be known
and appreciated, as might an unconscious poet, and more than all the
trembling spread of the feelers of the heart, these are the proofs of
nature’s presence in music or in poetry.
Then he begged me to play some of the sweet and simple melodies of
Wales. These he declared, and I had already perceived it, these were
born of the self-same spirit, though not so highly intensified, as the
Corsican romances.
Public-domain text, read in full here on John Shaqi.
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