Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
The travelling by the Canal du Midi is a sleepy and monotonous business
enough. Mile after mile, and league after league, the boat is gliding
along between grassy or rushy banks, and rows of poplar, and sometimes
of acacia trees, the monotonous tramp of the team upon the bank mingling
with the endless gurgle of the waters beneath. The towing paths are
generally very lifeless. Now and then a solitary peasant, with his heavy
sharp-pointed hoe--an implement, in fact, half hoe and half
pick-axe--upon his shoulder, saunters up to see the boat go by; or a
shepherd, whistling to his flock, paces slowly at their head, wandering
to and fro in search of the greenest bits of pasture; or a handful of
jabbering women, from some neighbouring bourg, will be squatted along
the water's edge, certainly not obeying Napoleon's injunction to wash
their _linge sale en famille_, but pounding away at sheets and shirts
with heavy stones or wooden mallets--the counterparts of the instruments
used in Scotland to "get up" fine linen, and there called "beetles." The
bridges are shot cleverly. At a shout from the steersman, the
postillion, who rides one of the hindmost horses of the team, jumps off,
casts loose the tow-line, runs with the end of it to the centre of the
bridge, drops it aboard as the boat comes beneath, catches it up again
on the opposite side, flies back after his horses which have trotted
very tranquilly ahead, hooks on the rope again, jumps into his saddle,
cracks his long whip, and the boat is off again in full career long ere
she has lost her former headway. Little of the country can be seen from
the deck, but along the southern and eastern half of the canal you
seldom lose sight of the dusty tops of the formal olive groves, varied
now and then by a stony slope covered with ugly, sprawling vines, and as
you approach the sea, dotted with white, little country houses--of which
more hereafter--the glimpses of the changing picture being continually
set in a brown frame of sterile hills.
The boats are long and narrow; the cabins like corridors, but
comfortably cushioned and stuffed, so that you can sleep in them, even
if the boat be tolerably crowded, as well as in a diligence. If there be
few passengers, you will have full-length room. The _restaurant_ on
board is excellent--as good as that on the Garonne boats, and very
cheap. Let all English travellers, however, beware of the steward's
department on the Loire and Rhone steamers, in both of which I have
been thoroughly swindled. The style of people who seemingly use the
track-boat on the Canal du Midi, are the _rotonde_ class of diligence
passengers. Going down to Cette, there were two or three families,
almost entirely composed of females, aboard; the elder ladies--horrid,
snuffy old women, who were always having exclusive cups of chocolate or
coffee, or little basins of soup, and who never appeared to move from
the spots on which they were deposited since the voyage began.
Public-domain text, read in full here on John Shaqi.
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