Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
The rotten remnants of
the green _jalousies_ were mouldering week by week away, and moss and
lichens were creeping up the walls; many roofs had fallen, and of some
houses only fragments of wall remained. The next moment we were
traversing an open space, strewn with rubbish of stone, brick, and
rotten wood, with patches of dismal garden-ground interspersed, and all
round the dim, grey, silent houses, dismal and dead. Aigues-Mortes
could, and once did, hold about ten thousand people. It was a city built
in whim by a king, the last of the royal crusaders, Louis IX. of France.
By him and his immediate descendants, it was esteemed a holy place--the
crusading port. The walls built round it, and which still remain--as the
empty armour, after the knight who once filled it is dead and gone--were
erected in imitation of those of the Egyptian town of Damietta, and all
sorts of privileges were granted to the inhabitants. But one privilege
the old kings of France could not grant: they could not, by any amount
of letters patent, or any seize of seals, confer immunity from fever;
and Aigues-Mortes has been dying of ague ever since it was founded. In
its early times, the influence of royal favour struggled long and well
against disease: one man down, another came on. What loyal Frenchman
would refuse to go from hot fits to cold fits of fever, for a certain
number of months, and then to his long home, if it were to pleasure a
descendant of St. Louis? But the time and the influences of the Holy
Wars went by, and the kings of France withdrew their smiles from
Aigues-Mortes; so that their royal brother, King Death, had it all his
own way. Funerals far outnumbered births or weddings, and gradually the
life faded and faded from the stone-girt town, as the ebbing tide leaves
a pier. Cette gave it the finishing stroke. A crowd of the inhabitants
emigrated _en masse_ to Riquet's city; and here now is
Aigues-Mortes--coffin-like Aigues-Mortes--with about a couple of
thousand pallid, shaking mortals, striving their best against the marsh
fever, among the ruined houses and within the smouldering walls of this
ancient Gothic city.
In a solemn, shady street, I found a decentish hotel, not much above the
rank of an auberge, and where I was about as lonely as in the vast
caravansary at Bagnerre. The landlord himself--a staid, decent
man--waited at my solitary dinner.
"Monsieur," he said, "is an artist, or a poet?"
"What made him think so?"
"Because nobody else ever came to Aigues-Mortes--no traveller ever
turned aside across the marshes, to visit their poor old decayed town.
There was no trade, no _commis voyageurs_. The people of Nismes and
Montpellier were afraid of the fever; and even if they were not, why
should they come there? It was no place for pleasure on a holiday--a man
would as soon think of amusing himself in a hospital or a morgue, as in
Aigues-Mortes."
Public-domain text, read in full here on John Shaqi.
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