Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
From the town, we partially floated, in a boat, and partially toiled
through swamp and sand to the sea--Auguste constantly preaching on the
antiquarian topography of the place, upon old canals, and middle-aged
canals--one obliterating the other; on the route which the galleys of
St. Louis followed from the walls to the ocean; on a dreary spot between
sand-hills, which he called _les Tombeaux_, and where, by his account,
the Crusaders who died before the starting of the expedition lie buried
in their armour of proof. Then we toiled to a little harbour--a mere
fisherman's creek--where it is supposed the ancient canal of St. Louis
joined the sea, and which still bears the name of the _Grau Louis_, or
the _Grau de Roi_--"grau" being understood to be a corruption of
_gradus_. At this spot, rising in the midst of a group of clustered
huts, the dwellings of fishermen and aged _douaniers_, one or
two of whom were lazily angling off the piers--their chief
occupation--there stands a lighthouse, about forty feet high.
"Let us climb to the lantern," said Auguste, "and you will then see our
silent land, and our poor dear old fading town lying at our feet."
Accordingly up we went; only poor Auguste stopped every three steps to
cough; and before we had got half way, the perspiration came streaming
down his yellow face, proving what might have been a matter of dispute
before--that he had some moisture somewhere in his body. From the top we
both gazed earnestly, and I curiously, around. On one side, the sea,
blue--purple blue; on the other side, something which was neither sea
nor land--water and swamp--pond and marsh--bulrush thickets, and
tamarisk jungles, shooting in peninsular capes, points, and headlands,
into the salt sea lakes; in the centre of them--like the ark grounding
after the deluge--the grey walls of Aigues-Mortes. Between the great
_mare internum_ and the lagoons, rolling sand-hills--the barrier-line of
the coast--and upon them, but afar off, moving specks--the semi-wild
cattle of the country; white dots--the Arab-blooded horses which are
used for flails; black dots--the wild bulls and cows, which the mounted
herdsmen drive with couched lance and flying lasso.
"Is it not beautiful?" murmured Auguste; "I think it so. I was born
here. I love this landscape--it is so grand in its flatness; the shore
is as grand as the sea. Look, there are distant hills"--pointing to the
shadowy outline of the Cevennes--"but the hills are not so glorious as
the plain."
"But neither have they the fever of the plain."
"It is God's will. But, fever or no fever, I love this land--so quiet,
and still, and solemn--ay, monsieur, as solemn as the deserts of the
Arabs, or as a cathedral at midnight--as solemn, and as strange, and as
awful, as the early world, fresh from the making, with the birds flying,
and the fish swimming, on the evening of the fifth day, before the Lord
created Adam."
CHAPTER XIV.
Public-domain text, read in full here on John Shaqi.
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