Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
The evening was closing, and the mist stealing over the Garonne, when we
came alongside the pier at Agen. A troop of diligence _conducteurs_ and
canal touters immediately leaped on board, to secure the passengers for
Toulouse, either by road or water. Being, fortunately, not of the number
who were thus taken prisoners, I walked up through the sultry
evening--for we are now getting into the true south--to the very
comfortable hotel looking upon the principal square of the town. One of
my objects in stopping at Agen was, to pay a literary visit to a very
remarkable man--JASMIN, the peasant-poet of Provence and Languedoc--the
"Last of the Troubadours," as, with more truth than is generally to be
found in _ad captandum_ designations, he terms himself, and is termed by
the wide circle of his admirers; for Jasmin's songs and rural epics are
written in the _patois_ of the people, and that _patois_ is the still
almost unaltered _Langue d'Oc_--the tongue of the chivalric minstrelsy
of yore. But Jasmin is a Troubadour in another sense than that of merely
availing himself of the tongue of the _ménestrels_. He publishes,
certainly--conforming so far to the usages of our degenerate modern
times; but his great triumphs are his popular recitations of his poems.
Standing bravely up before an expectant assembly of perhaps a couple of
thousand persons--the hot-blooded and quick-brained children of the
South--the modern Troubadour plunges over head and ears into his lays,
working both himself and his applauding audience into fits of enthusiasm
and excitement, which, whatever may be the excellence of the poetry, an
Englishman finds it difficult to conceive or account for. The raptures
of the New Yorkers and Bostonians with Jenny Lind are weak and cold
compared with the ovations which Jasmin has received. At a recitation
given shortly before my visit at Auch, the ladies present actually tore
the flowers and feathers out of their bonnets, wove them into extempore
garlands, and flung them in showers upon the panting minstrel; while the
editors of the local papers next morning assured him, in floods of
flattering epigrams, that, humble as he was now, future ages would
acknowledge the "divinity" of a Jasmin! There is a feature, however,
about these recitations, which is still more extraordinary than the
uncontrollable fits of popular enthusiasm which they produce. His last
entertainment before I saw him was given in one of the Pyrenean cities
(I forget which), and produced 2000 francs. Every sous of this went to
the public charities; Jasmin will not accept a stiver of money so
earned. With a species of perhaps overstrained, but certainly exalted,
chivalric feeling, he declines to appear before an audience to exhibit
for money the gifts with which nature has endowed him. After, perhaps, a
brilliant tour through the South of France, delighting vast audiences in
every city, and flinging many thousands of francs into every poor-box
Public-domain text, read in full here on John Shaqi.
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