Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.Reach, Angus B. (Angus Bethune)
General
Claret and Olives, from the Garonne to the Rhone: Notes, social, picturesque, and legendary, by the way.
Reach, Angus B. (Angus Bethune)
Agriculture -- France; France -- Description and travel
people--a language talked among fields, and trees, and by rivers and
mountains--a language never minced or disfigured by academies, and
dictionary-makers, and journalists; you must have a language like that
which your own Burns (whom I read of in Chateaubriand) used; or like the
brave old mellow tongue--unchanged for centuries--stuffed with the
strangest, quaintest, richest, raciest idioms, and odd, solemn words,
full of shifting meanings and associations, at once pathetic and
familiar, homely and graceful--the language which I write in, and which
has never yet been defiled by calculating men of science or jack-a-dandy
_litterateurs_."
The above sentences may be taken as a specimen of the ideas with which
Jasmin seemed to be actually overflowing at every pore in his body, so
rapid, vehement, and loud was his enunciation of them. Warming more and
more as he went on, he began to sketch the outlines of his favourite
pieces, every now and then plunging into recitation, jumping from French
to _patois_, and from _patois_ to French, and sometimes spluttering them
out, mixed up pell-mell together. Hardly pausing to take breath, he
rushed about the shop as he discoursed, lugging out, from old chests and
drawers, piles of old newspapers and reviews, pointing me out a passage
here in which the estimate of the writer pleased him, a passage there
which showed how perfectly the critic had mistaken the scope of his
poetic philosophy, and exclaiming, with the most perfect _naivete_, how
mortifying it was for men of original and profound genius to be
misconceived and misrepresented by pigmy whipper-snapper scamps of
journalists. There was one review of his works, published in a London
"_Recueil_," as he called it, to which Jasmin referred with great
pleasure. A portion of it had been translated, he said, in the preface
to a French edition of his works; and he had most of the highly
complimentary phrases by heart. The English critic, he said, wrote in
the _Tintinum_; and he looked dubiously at me when I confessed that I
had never heard of the organ in question. "_Pourtant_," he said, "_je
vous le ferai voir_:" and I soon perceived that Jasmin's _Tintinum_ was
no other than the _Athenæum_.
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