you can trace, I think, some such mixture of qualities. Neither are beau ideals. You are not looking at an angel or an Apollo--but a bold, passionate, burly, good-humoured man, big in the bone, and firm in muscle, with plenty of human flesh and its frailties, yet with plenty of mind to shine through, and elevate them all. Let us enter the castle of his birth. Thanks to Louis Philippe, it has been rescued from the rats and the owls, and re-fitted as exactly as possible in its ancient style. Mounting the grand staircase, we see everywhere around, on walls and vaulted ceiling, the gilt cyphers, "H. M."--not, however, meaning Henri and Margot, but the grandfather of the King of France--the stern, old Henri D'Albret, King of Navarre, and Margaret his wife--_La Marguerite des Marguerites_, the Pearl of Pearls. Pass through a series of noble state-apartments, vaulted, oak-pannelled, with rich wooden carved work adorning cornice and ceiling, and we stand in the room in which Henri saw the light. Jeanne D'Albret's bed, a huge structure, massive and carven, and with ponderous silken curtains, still stands as it did at the birth of the king. And what a strange coming into the world that was. The Princess of Navarre had travelled a few days previously nearly across France, that the hoped-for son and heir might be a Bearnais born. Old Henri, her father, was waiting and praying in mortal anxiety for the event. "My daughter," said the patriarch, "in the hour of your trial you must neither cry nor moan, but sing a song in the dear Bearnais tongue; and so shall the child be welcomed to the world with music, and neither weep nor make wry faces." The princess promised this, and she kept her word; so that the first mortal sound which struck Henri Quatre's ear was his mother's voice feebly chanting an old pastoral song of the shepherds of Bearne.