Shortly after their return to Paris, the "home" at Neuilly was closed
for the summer and the family went to Etretat to occupy a villa that
Adelle had leased previous to her infatuation. There seemed no way of
escaping Etretat without betraying her real reasons. She said something
about staying on in Paris through June to work in the studio, but Pussy
firmly closed the house and shipped the servants to Adelle's villa. If
she only had not chosen Etretat, she wailed to Archie, but some nearer
Normandy watering-place from which she might have motored up to Paris on
one excuse or another and thus had glimpses of her lover! He must come
to Etretat. But Archie was again without funds, living on the bounty of
a hospitable fellow-countryman. After a fortnight of loneliness beside
the sea, Adelle invented an elaborate pretext to return to Paris, but
Miss Comstock insisted on accompanying her and stuck so closely to her
side during three hot days that there was no chance for a sight of
Archie. At last Adelle was sulkily dragged back to Etretat. Then she
asked Miss Baxter to visit her and induced that good-natured young woman
to send Archie a sufficient sum of money, as coming from an admirer of
his art, to enable him to take up his residence in the neighborhood.
Miss Baxter demurred over "giving him such a head," but finally was
persuaded. Archie Davis was probably more surprised than ever before in
his life to learn that one of his loose efforts on canvas had so
impressed an American amateur of the arts that the latter had given Miss
Baxter a five-hundred-dollar check for him and an order for a seascape
from the Brittany shore. Behold Archie established at Pluydell in a
picturesque thatched cottage with his easel and paint-box! Pluydell is
on the road from Etretat to Fecamp, and not over ten minutes' ride in a
swift motor-car from the villa that Adelle occupied.
The young man painted intermittently during August, and Adelle
discovered a mad passion for driving her new runabout alone, which her
friends naturally voted quite "piggy" in her. If she was occasionally
bullied into taking a companion with her, she drove the car so
recklessly around the roughest country lanes that the friend never asked
for another chance to ride with her. And thus she was free many times to
make the dash over the familiar bit of chalk road, leave her car beneath
the yellow rose-vine that covered the cottage, and walk across the sand
to that particular corner of the wide beach where the young American had
established himself with umbrella and painting tools....
Public-domain text, read in full here on John Shaqi.
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