Adelle, as has been amply admitted in these pages, was neither beautiful
nor compelling. But she was very different indeed from the small, shabby
girl of fourteen. She was taller, with a well-trained figure that showed
the efforts of all the deft maids and skillful dressmakers through which
it had passed. She was dressed in the very height of the prevailing
fashions--a high-water mark of eccentricity that Judge Orcutt rarely
encountered in the staid circles of the good city of B----. Her skirt
was slit so as to accentuate all there was of hips, and the bodice did
the same for the bust. And the hat--well, even in New York its long
aigrette and daring folds had caused women to look around in the
streets. She carried in one hand a large bunch of mauve orchids and wore
an abundance of chains and coarse, bizarre jewelry. Her face was still
pale, and the gray eyes were almost as empty of expression as they had
been seven years before. But altogether Adelle was _chic_ and modern, as
she felt with satisfaction, of a type that might find more approval in
Paris than in America, where a pretty face and fresh coloring still win
distinction. She was _new_ all over from head to foot, of a loud, hard
newness that gave the impression of impertinence, even defiance.
This was accentuated by Adelle's new manner--the one that had grown upon
her ever since her elopement. Then she had taken a great step in
defiance of authority, and to support her self-assertion she had put on
this defiant manner, of conscious indifference to expected criticism. It
was the note of her period, moreover, to flaunt independence, to push
things to extremes. Needless to say that in Adelle's case it had been
further emphasized by the episode with the customs officers. Here again
she had defied recognized authorities and got into trouble over it;
indeed, had become mildly notorious in the newspapers. The only way she
could carry off her mistake and her notoriety was, like a child, by
exaggerating her nonchalance. Thus she had met President West and the
other officers of the trust company. Alone--for as usual Archie had
evaded the disagreeable--she had met them in their temple and felt their
frigid disapprobation of her and all her ways. She had carried it off by
forcing her note, "throwing it into the old boy," as she described it to
Archie, with all the loud clothes, the loud manners she had at her
command, and she knew that she had succeeded in making a very bad
impression upon the trust company's president. She felt that she did not
care--he was nothing to her.
In the same defiant mood and with the same "war-paint" she had entered
Judge Orcutt's court and answered his preliminary questions. But she
felt ill at ease, rather miserable under his kindly, heart-searching
gaze. She wished that she hadn't: she wanted to blush and drop her eyes.
Instead she returned his look out of her still, gray eyes with a
fascinated stare.
Public-domain text, read in full here on John Shaqi.
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