Of course, Miss Comstock introduced her charges to the best dressmakers
and dispensers of lingerie and millinery (for which service she obtained
free of charge all her own clothes). Adelle soon found her own way into
the shops of the Rue de la Paix and developed a genuine passion--the
first one of her life--for precious stones. It may be remembered that
when she was taken as a little girl for the first time into the new home
of the trust company, she had been much impressed by the gorgeousness of
colored marble and glass there profusely used. For a long time the great
banking-room with its dim violet light had remained in her memory as a
source of sensuous delight, and as her opportunities had increased she
had turned instinctively to things of color and warmth, especially in
stones and fabrics. In those public and private exhibitions to which she
was constantly conducted as part of her education in art she hung over
the cases that contained specimens of new designs in metal and stone.
Miss Comstock, perceiving her interest in these toys, encouraged Adelle
to try her own hand at the manufacture of jewelry, and engaged a needy
woman worker to give her the necessary lessons in the lapidary art.
Adelle had acquired considerable sloth from her desultory way of living;
nevertheless, when the chance was forced into her hands, she took to the
new work with ardor and produced some bungling imitations of the new
art, which were much admired at the Villa Ponitowski. Eveline, not to be
outdone, took up bookbinding, though she scarcely knew the inside of one
book from another. The art of tooling leather was then cultivated by
women of fashion in New York: it gave them something to talk about and a
chance to play in a studio.
Public-domain text, read in full here on John Shaqi.
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