Thus, there was no service which nations and kings were not ready to perform, nor any humiliation which they did not submit to, in order to obtain this distinction.... These customs were not merely some particular facts which happened at hazard. They were permanently established principles, as may be readily seen; for the maxims which the Romans acted upon against the greatest powers were precisely those which they had employed in the beginning of their career against the small cities which surrounded them.... But nothing served Rome more effectually than the respect which she inspired among all nations. She immediately reduced kings to silence, and rendered them as dumb. With the latter, it was not a mere question of the degree of their power: their very persons were attacked. To risk a war with Rome was to expose themselves to captivity, to death, and to the infamy of a triumph. Thus it was that kings, who lived in pomp and luxury, did not dare to look with steady eyes upon the Roman people, and, losing courage, they hoped, by their patience and their obsequiousness, to obtain some postponement of the calamities with which they were menaced. The "Spirit of Laws" is probably to be considered the masterpiece of Montesquieu. It is our duty, however, to say, that this work is quite differently estimated by different authorities. By some, it is praised in terms of the highest admiration, as a great achievement in wide and wise political or juridical philosophy. By others, it is dismissed very lightly, as the ambitious, or, rather, pretentious, effort of a superficial man, a showy mere sciolist. It acquired great contemporary fame, both at home and abroad. It was promptly translated into English, the translator earning the merited compliment of the author's own hearty approval of his work. Horace Walpole, who was something of a Gallomaniac, makes repeated allusion to Montesquieu's "Spirit of Laws," in letters of his written at about the time of the appearance of the book. But Walpole's admiring allusions themselves contain evidence that admiration equal to his own of the work that he praised, was by no means universal in England.