Classics of modern science : $b (Copernicus to Pasteur)
History
Classics of modern science : $b (Copernicus to Pasteur)
Science; Science -- History
Among the practical arts which owe their progress to the development of
the natural sciences, from the conclusion of the middle ages downwards,
practical mechanics, aided by the mathematical science which bears the
same name, was one of the most prominent. The character of the art
was, at the time referred to, naturally very different from its present
one. Surprised and stimulated by its own success, it thought no problem
beyond its power, and immediately attacked some of the most difficult
and complicated. Thus it was attempted to build automaton figures which
should perform the functions of men and animals. The wonder of the last
century was Vaucanson’s duck, which fed and digested its food; the
flute player of the same artist, which moved all its fingers correctly;
the writing boy of the older, and the pianoforte player of the younger
Droz: which latter, when performing, followed its hands with its eyes,
and at the conclusion of the piece bowed courteously to the audience.
That men like those mentioned, whose talent might bear comparison with
the most inventive heads of the present age, should spend so much
time in the construction of these figures, which we at present regard
as the merest trifles, would be incomprehensible, if they had not
hoped in solemn earnest to solve a great problem. The writing boy of
the elder Droz was publicly exhibited in Germany some years ago. Its
wheel-work is so complicated, that no ordinary head would be sufficient
to decipher its manner of action. When, however, we are informed that
this boy and its constructor, being suspected of the black art, lay
for a time in the Spanish Inquisition, and with difficulty obtained
their freedom, we may infer that in those days even such a toy appeared
great enough to excite doubts as to its natural origin. And though
these artists may not have hoped to breathe into the creature of
their ingenuity a soul gifted with moral completeness, still there
were many who would be willing to dispense with the moral qualities
of their servants if, at the same time, their immoral qualities could
also be got rid of; and accept, instead of the mutability of flesh
and bones, services which should combine the regularity of a machine
with the durability of brass and steel. The object, therefore, which
the inventive genius of the past century placed before it with the
fullest earnestness, and not as a piece of amusement merely, was boldly
chosen, and was followed up with an expenditure of sagacity which has
contributed not a little to enrich the mechanical experience which a
later time knew how to take advantage of. We no longer seek to build
machines which shall fulfil the thousand services required of one man,
but desire, on the contrary, that a machine shall perform one service,
but shall occupy in doing it the place of a thousand men.
Public-domain text, read in full here on John Shaqi.
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