Cleek: the Man of the Forty FacesHanshew, Thomas W.
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Cleek: the Man of the Forty Faces
Hanshew, Thomas W.
Cleek, Hamilton (Fictitious character) -- Fiction; Detective and mystery stories; Police -- Great Britain -- Fiction
It is strange how, in moments of stress and trial, even in times of
tragedy, the most commonplace thoughts will intrude themselves and the
mind separate itself from the immediate events. As Merode put the cold
muzzle of the revolver to Ailsa's temple and she ought, one would have
supposed, to have been deaf and blind to all things but the horror of
her position, one of these strange mental lapses occurred, and her mind,
travelling back over the years of her early schooldays, dwelt on a
punishment task set her by her preceptress--the task of copying three
hundred times the phrase "Discretion is the better part of valour."
As the recollection of that time rose before her mental vision, the
value of the phrase itself forced its worth upon her and, huddling back
in the corner of the limousine, she clutched the frightened child to her
and gave implicit obedience to Merode's command to make no effort to
attract attention either by word or deed. And he, fancying that he had
thoroughly cowed her, withdrew the touch of the weapon from her temple,
but held it ready for possible use in the grip of his thin, strong hand.
For a time the limousine kept straight on in its headlong course, then,
of a sudden, it swerved to the left, the gleam of a river--all silver
with moonlight--struck up through a line of trees on one side of the
car, the blank unbroken dreariness of a stretch of waste land spread out
upon the other; and presently, by the slowing down of the motor, Ailsa
guessed that they were nearing their destination. They reached it a few
moments later, and a peep from the window, as the vehicle stopped,
showed her the outlines of a ruined watermill--ghostly, crumbling,
owl-haunted--looming black against the silver sky.
A crumbled wheel hung, rotten and moss-grown, over a dry water-course,
where straggling willows stretched out from the bank and trailed their
long, feathery ends a yard or so above the level of the weeds and
grasses that carpeted the sandy bed of it, and along its edge--once
built as a protection for the heedless or unwary, but now a ruin and a
wreck--a moss-grown wall with a narrow, gateless archway made an
irregular shadow on the moon-drenched earth. She saw that archway and
that dry water-course, and a new, strong hope arose within her.
Discretion had played its part; now it was time for Valour to take the
stage.
"Come, get out--this is the end," said Merode, as he unlatched the door
of the limousine and alighted. "You may yell here until your throat
splits, for all the good it will do you. Lanisterre, show us a light;
the path to the door is uncertain, and the floor of the mill is unsafe.
This way, if you please, Miss Lorne. Let me have the boy--I'll look
after him!"
Public-domain text, read in full here on John Shaqi.
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