Had he known it, he was running as fast as he could out of all
civilisation. For at this point the railway passes into a purely
pastoral region of sheep and muircocks, where even farms and cot-houses
are scarcer than in any other part of the lowlands of Scotland.
Nevertheless Cleg kept up the steady swinging trot, which had come to
him by nature in direct descent from Tim Kelly, the Irish harvestman
and burglar who in his day had trotted so disastrously into Isbel
Beattie's life.
But Cleg was not to lie homeless and houseless that night, as Vara and
the children had often done. Cleg possessed all a cat's faculty for
falling on his feet.
At a lonely place on the side of the line he came upon a little cluster
of tanks and offices, which was yet not a station. There was, in fact,
no platform at all. It consisted mainly of the little tank for watering
the engine, and, set deep under an overhanging snout of heathery
moorland, an old narrow-windowed railway carriage raised upon wooden
uprights.
Cleg stood petrified with astonishment before this strange encampment.
For there were lights in the windows, and the sound of voices came
cheerfully from within. Yet here was the lonely moor, with the birds
calling weirdly all about him, and only the parallel bars of the
four-foot way starting out east and west into the darkness, from the
broad stream of comfortable light which fell across them from the
windows of the wheelless railway carriage.
Finally Cleg plucked up heart to knock. He had a feeling that nothing
far amiss could happen to him, so near a railway which led at long
and last to Princes Street, where even at that moment so many of his
friends were busily engaged selling the evening papers. Besides which
he was in still nearer connection with his friends Muckle Alick,
the porter, and Duncan Urquhart, the goods enginedriver at Netherby
Junction.
Cleg tapped gently, but there was at first no cessation in the noise.
He knocked a second time a little harder; still it was without effect.
A voice within took up a rollicking tune, and the words came rantingly
through the wooden partition. Cleg's hand slid down till it rested
upon the stirrup-shaped brass handle of a railway carriage. It turned
readily in his fingers, and Cleg peered curiously within.
He could now see the singer, who sat on a wooden chair with his
stocking-soles cocked up on the little stove which filled all one end
of the hut. There came from within a delightful smell of broiling bacon
ham, which hungry Cleg sniffed up with gusto.
The singer was a rough-haired, black-bearded man with a wide chest
and mighty shoulders, even though he could not be called a giant when
compared with Muckle Alick down at Netherby. And this is what he sang:
Auld Granny Grey Pow,
Fetch the bairnies in;
Bring them frae the Scaur Heid,
Whaur they mak' sic din.
Chase them frae the washin' pool,
Thrang at skippin' stanes—
Public-domain text, read in full here on John Shaqi.
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