And the surfacemen, of whom are Auld Chairlie and Poet Jock? Have you
thought of how, night and day, they patrol every rod of iron path—how
with clink of hammer and swing of arm they test every length of
rail—how they dash the rain out of their eyes that they may discern
whether the sidelong pressure of the swift express, or the lumbering
thunder of the overladen goods, have not bent outwards the steel rail,
forced it from its "chair," or caused the end of the length to spring
upward like a fixed bayonet after the weight has passed over it?
A few men standing by the line side as the train speeds by. What of
them? Heroes? They look by no means like it. Lazy fellows, rather,
leaning on their picks and shovels when they should be working. Or a
solitary man far up among the hills, idly clinking the metals with his
hammer as he saunters along through the stillness.
These are the surfacemen—and that is all most know of them. But wait.
When the night is blackest, the storm grimmest, there is a bridge out
yonder which has been weakened—a culvert strained where a stream from
the hillside has undermined the track. The trains are passing every
quarter of an hour in each direction. Nevertheless, a length of rail
must be lifted and laid during that time. A watch must be kept. The
destructiveness of nature must be fought in the face of wetness and
weariness. And, in spite of all, the train may come too quick round
the curve. Then there follows the usual paragraph in the corner of
the local paper if the accident has happened in the country, a bare
announcement of the coroner's inquest if it be in the town.
A porter is crushed between the platform and the moving carriages; a
goods guard killed at the night shunt in the yard. Careless fellow!
Serves him right for his recklessness. Did he not know the risk when
he engaged? Of course he did—none better. But then he got twenty-two
shillings a week to feed wife and bairns with for taking that risk. And
if he did not take it, are there not plenty who would be glad of the
chance of his empty berth?
And what then? Why, just this: there is one added to the thousands
killed upon the railways of our lands—one stroke, a little figure 1
made at the foot of the unfinished column, a grave, a family in black,
a widow with six children moved out of the company's house on which
grow the roses which he planted about the door that first year, when
all the world was young and a pound a week spelled Paradise. The six
children have gone into a single room and she takes in washing, and is
hoping by and by to get the cleaning of a board school, if she be very
fortunate.
Public-domain text, read in full here on John Shaqi.
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