The entrance to the club-room of the Knuckle Dusters was through a vaulted "pend," which, having no magistrate of the city resident within it, was wholly unlighted. It was no uncommon thing, therefore, for the solemn work of scientific instruction to be interrupted by the voice of the siren outside—a siren with a towse of hair done up loosely in a net, a shawl about her head, and elf locks a-tangle over her brow. The siren did not sing. She whistled like a locomotive engine when the signals are contrary and the engine-driver anxious to go off duty. At first the Knuckle Dusters used to rise and quietly depart, when, in this well-understood fashion, the voice of love shrilly breathed up the store-room stair. But after a little, Celie, who, from an entirely superfluous sense of delicacy, had hitherto suffered in silence, felt that it was time to remonstrate. It was Cleaver's boy who caused most trouble. Now this was by no means the fault of Cleaver's boy, who, to do him justice, was far more interested in the adventures of "Sixteen String Jack" or "Deadshot Dick, the Cowboy of Coon County," than in a dozen Susies or Sallies. But Cleaver's boy was a youth of inches. Besides, he had a curly head and an imperious way with him, which took with women—who, gentle and simple, like to be slighted and trodden upon when the right man takes the contract in hand. Cleaver's boy was, in fact, just Lord Byron without the title and the clubfoot. Cleaver's boy had also genius like the poet. Here is one of his impromptus, written after a music-hall model: I met my Sal a-walkin' out, a-walkin' on the street, I says to Sal, "Why do you walk upon them clumps of feet?" Says Sal to me, "None of your lip. I've got another chap!" _So I hits Sal a slap, and I sends her back To her ain countrie._