She did not move, neither did Wogan. They both sat still as statues.
They had come to the great crisis of their destiny. A change of posture,
a gesture, an assumed expression which might avert the small, the merely
awkward indiscretions of the tongue, they both knew to be futile. It was
in the mind of each of them that somehow without their participation the
truth would out that night; for the dawn was so long in coming.
"All the way up from Peri," said Wogan, suddenly, "I strove to make real
to myself the ignominy, the odium, the scandal."
"But you could not," said Clementina, with a nod of comprehension, as
though that inability was a thing familiar to her.
"When I reached the hut, and saw that fan of light spreading from the
window, as it spread over the lawn beyond Stuttgart, I remembered Otto
von Ahlen and his talk of Königsmarck. I tried to hear the menaces."
"But you could not."
"No. I saw you through the window," he cried, "stretched out upon that
couch, supple and young and sweet. I saw the lamplight on your hair,
searching out the gold in its dark brown. I could only remember how
often I have at nights wakened and reached out my hands in the vain
dream that they would meet in its thick coils, that I should feel its
silk curl and nestle about my fingers. There's the truth out, though
it's a familiar truth to you ever since I held you in my arms beneath
the stars upon the road to Ala."
"It was known to me a day before," said she; "but it was known to you so
long ago as that night in the garden."
"Oh, before then," cried Wogan.
"When? Let the whole truth be known, since we know so much."
"Why, on that first day at Ohlau."
"In the great hall. I stood by the fire and raised my head, and our eyes
met. I do remember."
"But I had no thought ever to let you know. I was the King's
man-at-arms, as I am now;" and he burst into a harsh laugh. "Here's
madness! The King's man-at-arms dumps him down in the King's chair! I
had a thought to live to you, if you understand, as a man writes a poem
to his mistress, to make my life the poem, an unsigned poem that you
would never read, and yet unsigned, unread, would make its creator glad
and fill his days. And here's the poem!" and at that a great cry of
terror leaped from Clementina's lips and held them both aghast.
Wogan had risen from his seat; with a violent gesture he had thrown back
his cloak, and his coat beneath was stained and dark with blood.
Clementina stood opposite to him, all her quiet and her calmness gone.
There was no longer any mystery in her eyes. Her bosom rose and fell;
she pointed a trembling hand towards his breast.
"You are hurt. Again for love of me you are hurt."
Public-domain text, read in full here on John Shaqi.
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