Cleopatra, Queen of Egypt, -30 B.C. -- Fiction; Egypt -- History -- 332-30 B.C. -- Fiction
The method of temporizing which Octavius embodied in his motto: "_Sat
celeriter quidquid fiat satis bene,_" had up to that time been highly
successful. Accordingly he proceeded slowly and, while waiting to
attack his actual adversary, he commanded Theodorus to open a
campaign of accusations against the Egyptian Queen.
The Romans were always easily roused. Devoted to their capital city,
it was enough for them to hear that it was in any way criticized: a
suspicion, a suggestion, that it was in peril was sufficient to stir
them profoundly. These proud citizens of Rome had the idea that all
other great cities envied her and were anxious to overthrow her
power. Carthage, Corinth, Athens, all in important positions, had in
their turn fallen under suspicion. To-day all their instincts of
defence were united against superb, preëminent Alexandria. There was
a persistent rumour that Cleopatra was planning to transfer the
world-capital from Rome to that city. This danger in itself would
have bred hatred of her, but, in addition, there were the recent vile
tales. Her extravagant luxury was especially distasteful to a people
who made poverty almost a crime. In passing from mouth to mouth the
incident of the pearls was naturally exaggerated. There was now an
account of a bath, enriched each day by a mixture of gold and amber,
to which the body of this courtesan owed the glowing warmth of colour
which so enticed men's gaze.
While this gossip was spreading among the Plebeians, Mæcenas was busy
agitating the Intellectuals. He got together a group of literary
men, and, with that ease of language and charm of persuasion that
always carried conviction, he described Octavius as the coming master
of the world. These men were quickly persuaded to use their pens to
advance his cause. It was arranged to make conservatism, religion,
devotion, social reform the fashion--all the ideals of which Cæsar's
nephew was patron, as opposed to the Oriental usages to which Antony
had become a convert. Virgil, in his delightful pastoral, was the
first to carry out this project of Mæcenas's. His poems were of wide
influence in reviving that taste for country life and love of the
earth which the long wars had rudely interrupted. At the same time
Horace put aside his Epodes on wine and women for the more serious
Odes. Deploring the fatal power of women when in control of the
Government by actual right or by their domination over the men who
represented it, he gave an outline of the lives of women famous in
history and legend, and set forth the inevitable misfortune that they
had brought upon their countries. He adjured the people, in the name
of their imperilled nation, to unite against the fatal Egyptian
woman, the evil demon of the day.
Public-domain text, read in full here on John Shaqi.
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