I shall now turn to peculiarities of character, highly humanized, which
have been attributed to Hans. His "sympathies" and "antipathies",
so-called, were nothing but erroneous appellations for the success or
failure on the part of the respective individuals to elicit responses.
He who could procure answers frequently, apparently stood high in the
horse's favor. That Hans shook his head violently when asked by Mr. von
Osten: "Do you like Mr. Stumpf?", and answered in the affirmative the
further question: "Do you like Mr. Busch?", was nothing but a
confession--unwilling, to be sure--on the part of the master himself. In
the first case the master thought "no", in the second instance, "yes",
and the two thoughts were accompanied by the corresponding head
movements, to which Hans responded mechanically. Hans appeared to be
well-disposed toward me, but evidently because I always rewarded him
liberally when he answered correctly, and I did not scold him when his
responses were wrong, as did Mr. von Osten and Mr. Schillings, who
instead of seeking the cause within themselves, were always ready to
rebuke Hans for his contrariety and fickleness. The horse did not show,
in so far as can be judged at all, any real affection for his master. On
the other hand it would be unwarranted to say that, in spite of all
rewards, he developed a grudge against all those who bothered him with
instruction and examination. Shortly after the close of our
experimentation it happened that Hans severely injured his groom by a
blow in the face. Yet this man had always been very gentle with the
horse and had been forbidden by Mr. von Osten to make Hans solve any
problems for him. Experts assure me that we have here to deal, not with
a case of "moral insanity", but with a very common experience,--although
this view will probably be cavilled at by enthusiastic lovers of horses.
The work of so excellent an expert as Fillis,[92] for instance, bears us
out in this respect.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account