Briefly, I would also mention a few of the more interesting
introspective observations which were made in situations in which the
horse responded with movements of the head for answers such as "yes" and
"no", "up" and "down", etc. From the very beginning I put questions to
Hans which would have to be answered by a shake of the head. It often
happened that instead of indicating "0", Hans would begin tapping some
number. But the wonder of it was that, in many cases, he responded
properly. I knew only that I inwardly pronounced the word "null" (zero),
and that I looked expectantly at the horse's head. In the case of
questions to which I expected the answer "yes" or "no", I imagined
myself enunciating the answer, i. e., I used motor imagery. The tests
failed, the moment I employed only visual or auditory imagery, whereas,
motor imagery was always effective in calling forth correct
reactions.[M] When the proper response was "up" and "down" I would
think of those directions in space, and likewise with "left" and "right"
in which case also I would put myself in the horse's place.
[Footnote M: Thus it is possible to think of the word "no" in three
different ways. I may get a visual image of the written or printed
word, or the auditory image of the word as spoken by another person,
or finally I might think of it in terms of images of the sensations
of movement which would arise if I myself were to enunciate or write
the word. And so, in like manner, I could think of any other word in
terms of either visual or auditory or motor imagery. In all
probability the auditory and motor always occur together,[6] but
still it is possible to make the one or the other predominate.
It appears that the imagery of most persons is a mixture of
auditory-motor and visual elements, with a predominance of one or
the other kind. Individuals who utilize almost exclusively the
visual (as does the author, as a rule), are rare. But rarer still is
the pronounced motor type.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account