But these might have been scared away without mutilating the tree till it was reduced to a stump. He desired, doubtless, to bring back the Church to the condition in which he supposed it had been when born. But one cannot reduce an adult to the simplicity and innocence of childhood by stripping off all his clothes, and denying him the conventional figleaf. [Illustration: LES ROCHES. Houses built into and against the rocks.] [Illustration: GUÉ DU LOIR. Remains of a cliff-fortress commanding the approach to Vendôme. But a small portion of this castle is visible in this plate.] Having shattered the Catholic faith by the crowbar of his logic, he sought to build up a grotto out of its fragments, and call it a church. His "Institute of the Christian Religion" was published the following year. It produced the desired effect at once. There were many reasons why it should. Earnest and devout souls were troubled at the sight of a Christianity that was so in name but had little Christianity in its practice. They felt that the Church had drifted far out of its way and had grounded on quicksands, and they thought that the sole way of saving the hulk was to cast all its precious lading into the sea. Christ's Church had been founded on a rock, it had withstood the rain and the flood, but was crumbling down with dry rot. Calvin would have neither the rock nor the sand. Into the mud he drove the piles by the strokes of his genius, on which to erect the platform that was to uphold the conventicle of his followers, and if that did not stand, it would at least mark its site by their dejections. And dejections there are everywhere, where the Calvinists were, wrecked churches, mutilated monuments, broken glass, and shattered sculpture. Ruskin, remarking on some delicate carving at Lyons, under a pedestal, observes that the mediaeval sculptors exhibited absolute confidence in the public, in placing their tenderest work within reach of a schoolboy's hand. Such, however, was the love of the beautiful generally diffused, that objects of art were safe from destruction or defacement. But with the outburst of Calvinism all those affected were inflamed with a positive hatred of the beautiful in art. If this had been confined to the destruction of images to which idolatrous worship was offered, it would be explicable and justifiable, but it extended to the most innocuous objects. Delicate tracery such as adorns the west front of the church of Vendôme, a lace-work of beautiful sculpture representing trailing roses and vines, birds and reptiles, was ruthlessly hacked. Churches, cathedrals, were blown up with gunpowder--such was the fate of the cathedrals of Montauban, Périgueux, and Orléans. Beza himself rolled the barrels of gunpowder to explode under the great piers that sustained the central tower of Orleans. [Footnote: In 1769 Montgomery was preparing to blow up the beautiful Cathedral of Condon, only