The notion of suspended animation after death by no means expired with
paganism. When Severus, Bishop of Ravenna, was about to die, he went in
full pontificals to the tomb of his wife and daughter, had the stone
removed, and bade the dead ones make room for him between them, and
they obeyed. When S. Meven died, and his faithful friend Austell
followed him shortly after, the dead body moved on one side in the
sarcophagus to accommodate his companion. When an irreverent man struck
the coffin of S. Cadoc with a staff, the incensed Saint "roared like a
bull." In the Life of S. Germanus of Auxerre is a curious episode. A
pagan named Mamertinus being overtaken by night and a storm, took
refuge in a solitary building in which was a sarcophagus. He put his
knapsack under his head on the upper slab of the tomb, and lying down
there went to sleep. At midnight he was roused by a young man at the
door of the cell, who called out, "Corcodemus, Corcodemus, levite of
Christ, arise!" whereupon a voice answered from the tomb, "What do you
want?" The youth replied, "Bishop Perigrinus and Bishop Amator want you
at the church, where they are holding vigil." "I can't go," replied the
dead man, "I have a visitor here and I must show him hospitality."
After an interval the young man returned with two others and again
summoned Corcodemus, who now got out of his grave and said to one of
those who was at the door, "I will go with you, but you must abide here
and protect my visitor, for there is a bitch with her young, to the
number of seven, ready to tear him to pieces."
So late as 1680 a book appeared, _De Miraculis Mortuorum_, by L.
C. F. Garmann, published at Leipzig, opposing opinions not merely of
the ignorant but of the learned as to a kind of prolongation of
physical life in the dead--their issuing from the graves to suck the
blood of the living, their continuing their wonted avocations
underground, as a shoemaker being heard cobbling in his coffin, of
infants shedding their milk teeth and growing second teeth, of gnawing
their grave clothes, and many other horrible superstitions--showing how
persistent the belief was that the dead did continue to live in their
sepulchres. [Footnote: The confusion between the ghost and the corpse
is exemplified in "Hamlet."
"Tell
Why thy canoniz'd bones, hearsed in death,
Have burst their cerements; why the sepulchre,
Wherein we saw thee quietly inurn'd,
Hath op'd his ponderous and marble jaws
To cast thee up again."
Act I. sc. 5.]
Public-domain text, read in full here on John Shaqi.
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