The description of the place so well accords with the Peuch that bears
his name, that I cannot doubt but that Sour occupied for some years the
cave high up in the cliff, and only to be reached by crawling to it
sideways, holding on to the rock by fingers and toes. But afterwards it
was greatly enlarged to serve as a place of retreat by the peasants of
the hamlet below. It consists of three groups of chambers cut in the
rock, one reached by a very long, forty-round ladder, when a chamber is
entered which has a hole in the roof through which, by another ladder,
one can mount to a whole series of chambers communicating one with
another. The face of some of these was originally walled up. A second
group is now inaccessible. A third is reached by climbing along the
face of the cliff, with fingers and toes placed in niches cut in the
cleft to receive them.
[Illustration: Beginning of a Gallery.]
[Illustration: The Pick employed.]
A recess at the foot of the crag, arched above, contains three
perpendicular grooves. This was the beginning of another artificial
cave, never completed, begun maybe in 1453 and suddenly abandoned, as
the glad tidings rang through the land that the English had abandoned
Aquitaine and that the Companies were disbanded.
At the Roc d'Aucor, in the valley of the Vers (Lot), a gaping cave is
visible far above where any ladder could reach and inaccessible by
climbing from the top of the crag, as that overhangs like a wave about
to break. Nevertheless, athwart the opening are, and have been from
time immemorial, two stout beams let into the rock horizontally. Dimly
visible in the depth of the cavern is some tall white figure, and the
peasants declare that it is that of a man--a statue in marble, keeping
guard over a golden calf.
In 1894, M. Martel and three friends, taking with them Armand, the
trusty help in descending _avens_, pot-holes, and exploring the
course of subterranean rivers, resolved on an attempt at the
exploration of this mysterious cavern.
Public-domain text, read in full here on John Shaqi.
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