Château de Vaux-le-Vicomte (Maincy, France); France -- Social life and customs -- Fiction
[14] Cf. Eug. Grésy, _Château de Vaux-le-Vicomte._ Melun, 1861.
[15] Archives de la Bastille, Vol. II, p, 171 _et seq._
[16] Anne of Austria (trans.)
[17] Her son, Louis XIV (trans.)
[18] And are now in Austria, Germany and elsewhere.--Editor.
[19] _Bulletin de la Société de l'Histoire de l'Art français,_ note by
M. Guiffrey, July, 1876, p. 38.
[20] Saint-Simon adds: "She was the widow of Nicolas Foucquet, famous
for his misfortunes, who, after being Superintendent of Finance for
eight years, paid for the millions which Cardinal Mazarin had taken,
for the jealousy of MM. Le Tellier and Colbert, and for a slightly
excessive gallantry and love of splendour, with thirty-four years
of imprisonment at Pignerol, because that was the utmost that could
be inflicted on him, despite all the influence of Ministers and the
authority of the King."--_Mémoires du duc de Saint-Simon,_ éd. Chéruel,
Vol. XIV, p. 112.
[21] _Mémoires._ Collection Petitot, Vol. LX, p. 142.
[22] It is the portrait which is reproduced at the beginning of the
French edition, because it seems to us at once both the truest and the
happiest picture of the extraordinary man who, both in letters and in
art, inaugurated the century of Louis XIV. The head, three-quarter
profile, is turned to the left. It is a medallion inscribed with the
words: "Messire Nicolas Foucquet, chevalier, vicomte de Melun et de
Vaux, Conseiller du Roy, Ministre d'État, Surintendant des Finances
et Procureur général de Sa Majesté." Signed "R. Nanteuil ad vivum
ping. et sculpebat, 1661." The style is at once soft and firm, the
workmanship pure and finished, the rendering of the colours excellent.
This engraving was executed after a drawing or a pastel which Nanteuil
had done from life, and which is lost. This work, and the engraving
which perpetuates it, seem to me to form the origin of a whole family
of portraits, of which we will mention several.
(1) A shaded bust, on a piedouche, bearing Foucquet's arms. The
arrangement is bad, the inscription:
Ne faut-il que l'on avouë
Qu'on trouve en luytous ce qu'on espérait.
C'est un surintendant tel que l'on désirait.
Personne ne s'en plaint, tout le monde s'en louë.
Signed: "Van Schupper faciebat. P. de la Serre."
(2) The head in an oval border. Raised hangings which reveal a country
scene, with dogs coursing. The inscription:
"Messire Nicolas Foucquet, chevalier, vicomte de Melun et de Vaux,
Ministre d'État, Surintendant des finances de Sa Majesté et son
procureur général au Parlement de Paris."
(3) A much damaged copy. The face is pale and elongated, the expression
melancholy and sanctimonious. It is an oval medallion, 1654, without
signature, Paris, chez Daret.
(4) The same, chez Louis Boissevin, in the Rue Saint-Jacques.
(5) The same, with this quatrain:
Si sa fidélité parut incomparable
En conservant l'Estat,
Sa prudence aujourd'huy n'est pas moins admirable
D'en augmenter l'éclat.
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