The King set out from Fontainbleau on the 17th August, 1661, and came to Vaux in a coach, in which he was accompanied by Monsieur, the Comtesse d'Armagnac, the Duchesse de Valentinois and the Comtesse de Guiche. The Queen-Mother came in her own coach, and Madame in her litter. The young Queen, detained at Fontainebleau by her pregnancy, was not present at that cruel festivity. More than six thousand persons were invited. The King and the Court began by visiting the park. All were loud in their admiration of the great fountains. "There was," says La Fontaine,[15] "great discussion as to which was the best, the Cascade, the Wheat-Sheaf Jet, the Fountain of the Crown or the Animals." The château also was inspected and Le Brun's pictures greatly admired. The King could ill contain his wrath at a display of luxury which seemed stolen from him, and which he was later on to imitate at Versailles, with all the diligence of a good pupil. He was angered, so it is said,[16] by an allegorical picture into which Le Brun had obviously introduced the portrait of Mademoiselle de la Vallière. The fact may be doubted, but it is certain that the courtiers, with eyes sharpened by envy, remarked on all the panelling Foucquet's device: _"Quo non ascendant,"_ or _Quo non ascendet?_ accompanying a squirrel (or foucquet) climbing up a tree. Louis XIV, according to Choisy, conceived the idea of arresting his insolent subject on the spot, and it was the Queen-Mother, who had long been Foucquet's friend, who prevented him from doing so. But such impatience is not consistent with that patient duplicity which the King displayed in this connection. Almost at that very moment, did he not ask his hospitable subject for another festival to celebrate the churching of the young Queen?[17] After the château and grounds had been visited, there was a lottery in which every guest won something: the ladies jewels, the men weapons. Then a supper was served, provided by Watel, the cost of which was valued at one hundred and twenty thousand livres. "Great were the delicacy and the rarity of the dishes," says La Fontaine, "but greater still the grace with which Monsieur le Surintendant and Madame la Surintendante did the honours of their house." The pantry of the château then contained at least thirty-six dozen plates of solid gold and a service of the same metal.[18] After supper the guests went to the Allée des Sapins, where a stage had been erected. Mechanical stage effects were then much in vogue. Those of Vaux were wonderful. The mechanism was the work of Torelli, and the scenery was painted by Le Brun. Deux enchanteurs pleins de savoir Firent tant, par leur imposture, Qu'on crut qu'ils avaient le pouvoir De commander à la nature. L'un de ces enchanteurs est le sieur Torelli, Magicien expert et faiseur de miracles; Et l'autre, c'est Lebrun, par qui Vaux embelli Présente aux regardants mille rares spectacles.[19]