=The costume should be the background as it were.= Miss Willing says to remember always that a really artistic costume is one which makes us say "what a lovely girl!" rather than "what a lovely gown she is wearing." A costume should not be so strong in color or design that one thinks only of that. Do you remember how in some rooms we feel the pattern of the wall paper or of the carpet. When one does, the design is poor; the wall is the background. Our clothes should make the wearers' good qualities stand out. They should be subordinate, Miss Willing says. Do you understand that word? Miss Willing says the outline of our clothed figures should be pleasing. Have you ever walked to town and seen girls with large hats which were not balanced on their heads, and short skirts and perhaps large muffs? If you watch them as they come towards you down the street, you will see that the whole outline or silhouette against the sky or house is poor; they look top-heavy or, we say, unbalanced. Such a costume is not good. A smaller hat with the short skirt is what is needed in order to have a balanced figure. The outline of the natural human figure is most beautiful. Look at the lovely figure of the Grecian woman (Fig. 132); see how the lines follow her figure. Costumes which make ugly lumps, as bustles and large muffs, and other ugly shapes are not well balanced. [Illustration: FIG. 132.--Notice the lovely folds of the Grecian costume.] =An artistic dress shows good taste.= Do you remember your talks in your art class about the spaces in a design, and the relation of one to the other. This is true in dresses too. Tucks, buttons, seams, bands of trimming all mark off spaces on our bodies (Fig. 133). In order to have a really artistic dress, there must be a plan about the arrangement of spaces. A short, stout girl with bands of trimming running around her skirt and with lines of trimming running up and down the waist will present a very strange appearance to one who has "artistic appreciation." Can you tell why this would not be good taste? A stout figure should wear vertical lines of trimming rather than horizontal; and the spaces between lines should be such as will make the girl look smaller rather than larger; so dresses must be really designed, and the spaces, colors, values, really thought about. Do you know what value means? Some costumes have contrast in values. Black and white are sharp contrasts. One sees the black or the white at once. These spots of black or white jump at one unless there is something to connect the two, as gray, which would be an intermediate value. Spotty costumes are not good or restful. Have you seen, perhaps, a white dress with black hat and gloves and shoes? Did you notice how the black things stand out and the eye jumps from one spot of black to another? A white dress with white shoes and gloves and a black hat trimmed with some white, thus carrying some of the white to the black, would be better.