Miranda ran through the back yard where the house dog lay basking in the
sun, and two broods of young chickens were "peeping" around in the wet
grass, led by their clucking mothers. The cat came purring and tried to
rub herself against Miranda's garments, but she thrust her aside and
hurried on. These creatures belonged to the house, and it was the house
from which she was fleeing. As she passed through the sagging garden
gate, a casual gust of wind stirred the boughs of a water-maple tree
near by, and scattered a shower of petals over her hair and shoulders,
while a robin in the topmost branch sang a Godspeed to the pilgrim who
was hastening to the altars of spring. Down the garden path she sped
with never a glance aside at the trim rows of early vegetables bordered
by clumps of iris and peonies, with now and then an old-fashioned rose
that looked as if it were tired of growing and blooming in the same spot
so many years. If one had stopped her and said: "Where are you going?"
she could not have told him where. If he had asked: "What do you seek?"
again she would have been at a loss for a reply. But she had heard a
call more imperative than the voice of father or mother, more
authoritative than the voice of conscience; something had passed out of
her life with the passing of childhood and first youth; she was going to
find the precious lost joy; and the power that guides the bird in its
autumnal flight to the south and brings it north again was guiding her
feet to the woods in spring.
Public-domain text, read in full here on John Shaqi.
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