Club Life of London, Vol. 1 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th CenturiesTimbs, John
History
Club Life of London, Vol. 1 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th Centuries
Timbs, John
Clubs -- England -- London; Literary landmarks -- England -- London; London (England) -- Social life and customs
The architecture is the nobler Italian, resembling a Roman palace: the
plan is a quadrangle, with an open area in the middle, so that all the
rooms are well lighted. The Pall-Mall front has a bold and rich
cornice, and the windows are decorated with Corinthian pilasters: the
garden front varies in the windows, but the Italian taste is preserved
throughout, with the most careful finish: the roof is Italian tiles.
To be more minute, the consent of all competent judges has assigned a
very high rank to this building as a piece of architectural design;
for if, in point of mere _quantity_, it fall greatly short of many
contemporary structures, it surpasses nearly every one of them in
_quality_, and in the artist-like treatment. In fact, it makes an
epoch in our metropolitan architecture; for before, we had hardly a
specimen of that nobler Italian style, which, instead of the flutter
and flippery, and the littleness of manner, which pervade most of the
productions of the Palladian school, is characterized by breath and
that refined simplicity arising from unity of idea and execution, and
from every part being consistently worked up, yet kept subservient to
one predominating effect. Unfortunately, the south front, which is by
far the more striking and graceful composition, is comparatively
little seen, being that facing Carlton Gardens, and not to be
approached so as to be studied as it deserves; but when examined, it
certainly must be allowed to merit all the admiration it has obtained.
Though perfect, quiet, and sober in effect, and unostentatious in
character, this building of Barry's is remarkable for the careful
finish bestowed on every part of it. It is this quality, together with
the taste displayed in the design generally, that renders it an
architectural bijou. Almost any one must be sensible of this, if he
will but be at the pains to compare it with the United Service Club,
eastward of which, as far as mere quantity goes, there is much more.
Another critic remarks: "The Travellers' fairly makes an epoch in the
architectural history of Club-houses, as being almost the first, if
not the very first, attempt, to introduce into this country that
species of rich _astylar_ composition which has obtained the name of
the Italian palazzo mode, by way of contradistinction from
Palladianism and its orders. This production of Barry's has given a
fresh impulse to architectural design, and one in a more artistic
direction; and the style adopted by the architect has been applied to
various other buildings in the provinces as well as in the metropolis;
and its influence has manifested itself in the taste of our recent
street architecture."
The Travellers' narrowly escaped destruction on October 24, 1850, when
a fire did great damage to the billiard-rooms, which were, by the way,
an afterthought, and addition to the original building, but by no
means an improvement upon the first design, for they greatly impaired
the beauty of the garden-front.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account