Club Life of London, Vol. 1 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th CenturiesTimbs, John
History
Club Life of London, Vol. 1 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th Centuries
Timbs, John
Clubs -- England -- London; Literary landmarks -- England -- London; London (England) -- Social life and customs
"The visitor was then brought back to the hall, and taken upstairs to
the drawing-room floor. On the wall as he passed he would observe a
vast picture of Mr. Charles Kemble (long a member) as Macbeth, and a
Miss O'Neil as Juliet. He entered the coffee-room, as it was called,
which was the front room, looking into King-street, and behind which
was the morning-room, for newspapers and writing, and in which was the
small but excellent library, rich in dramatic works. The coffee-room
was devoted to the members' dinners; and the late Mr. Thackeray dined
for the last time away from home at a table in a niche in which hung
the scene from _The Clandestine Marriage_, where Lord Ogleby is
preparing to join the ladies. Over the fireplace was another scene
from the same play; and on the mantelpiece were Garrick's
candlesticks, Kean's ring, and some other relics of interest. The
paintings in this room were very valuable. There was Foote, by
Reynolds; a Sheridan; John Kemble; Charles Kemble as Charles II.
(under which picture he often sat in advanced life, when he in no
degree resembled the audacious, stalwart king in the painting); Mrs.
Charles Kemble, in male attire; Mrs. Fitzwilliam; Charles Mathews,
_père_; a fine, roystering Woodward, reminding one of the rattling
times of stage chivalry and 'victorious burgundy;' and in the
morning-room was a delightful Kitty Clive, another Garrick, and, near
the ceiling, a row of strong faces of by-gone days--Cooke the
strongest.
"On the second floor were numerous small and very characteristic
portraits; and in a press full of large folios was one of the
completest and most valuable of collections of theatrical prints. In
the card-room, behind this, were also some very quaint and curious
likenesses, one of Mrs. Liston, as Dollalolla. There was a sweet face
of 'the Prince's' Perdita, which excuses his infatuation and
aggravates his treachery. When the visitor had seen these things and
a few busts, among them one of the late Justice Talfourd (an old
member), he was informed that he had seen the collection and he could
go away, unless he were lucky enough to have an invitation to dine in
the strangers' room.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account