Club Life of London, Vol. 2 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th CenturiesTimbs, John
History
Club Life of London, Vol. 2 (of 2): With Anecdotes of the Clubs, Coffee-Houses and Taverns of the Metropolis During the 17th, 18th, and 19th Centuries
Timbs, John
Clubs -- England -- London; Literary landmarks -- England -- London; London (England) -- Social life and customs
The Saracen's Head inn-sign originated in the age of the Crusades. By
some it is thought to have been adopted in memory of the father of St.
Thomas à Becket, who was a Saracen. Selden thus explains it: "Do not
undervalue an enemy by whom you have been worsted. When our countrymen
came home from fighting with the Saracens, and were beaten by them,
they pictured them with huge, big, terrible faces (as you still see
the sign of the Saracen's Head is), when in truth they were like other
men. But this they did to save their own credit." Still more direct is
the explanation in Richard the Crusader causing a Saracen's head to be
served up to the ambassadors of Saladin. May it not also have some
reference to the Saracen's Head of the Quintain, a military exercise
antecedent to jousts and tournaments?
The custom of placing a Bush at Tavern doors has already been noticed;
we add a few notes:--In the preface to the _Law of Drinking_, keeping
a public-house is called the trade of the ivy-bush: the bush was a
sign so very general, that probably from thence arose the proverb
"good wine needs no bush," or indication as to where it was sold. In
_Good Newes and Bad Newes_, 1622, a host says:--
"I rather will take down my bush and sign
Than live by means of riotous expense."
The ancient method of putting a bough of a tree upon anything, to
signify that it was for disposal, is still exemplified by an old besom
(or birch broom) being placed at the mast-head of a vessel that is
intended for sale. In Dekker's _Wonderful Yeare_, 1603, is the passage
"Spied a bush at the end of a pole, the ancient badge of a countrey
ale-house." And in Harris's _Drunkard's Cup_, p. 299, "Nay, if the
house be not with an ivie bush, let him have his tooles about him,
nutmegs, rosemary, tobacco, with other the appurtenances, and he knows
how of puddle ale to make a cup of English wine." From a passage in
_Whimzies, or a new Cast of Characters_, 1631, it would seem that
signs in alehouses succeeded birch poles.
It is usual in some counties, particularly Staffordshire, to hang a
bush at the door of an ale-house, or mug-house. Sir Thomas Browne
considers that the human faces depicted on sign-boards, for the sun
and moon, are relics of paganism, and that they originally meant
Apollo and Diana. This has been noticed in Hudibras--
"Tell me but what's the nat'ral cause
Why on a sign no painter draws
The full moon ever, but the half."
A Bell sign-stone may be seen on the house-front, No. 26, Great
Knight-Rider-street: it bears the date 1668, and is boldly carved;
whether it is of tavern or other trade it is hard to say: the house
appears to be of the above date.
Public-domain text, read in full here on John Shaqi.
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