Bankers -- Fiction; Christian life -- Fiction; Fraud -- Fiction; Fugitives from justice -- Fiction
She turned at last into the square where their house was. It was
brilliantly lighted up, for Felicita was having one of her rare
receptions that evening, and in another hour or two the rooms would be
filled with guests. It was too early yet, and Hilda was playing on her
piano in the drawing-room, the merry notes ringing out into the quiet
night. There was a side door to Phebe's studio, by which she could go in
and out at pleasure, and she stood at it trying to fit her latch-key
into the lock with her trembling hands. Looking back she saw Jean Merle
some little distance away, leaning against the railings that enclosed
the Square garden.
"Oh! I must run back to him! I must speak to him again!" she cried to
her own heart. In another instant she was at his side, with her hands
clasping his.
"Oh!" she sobbed, "what can I do for you? This is too miserable for you;
and for me as well. Tell me what I can do."
"Nothing," he answered. "Why, you make me feel as if I had sinned again
in telling you all this. I ought not to have troubled your happy heart
with my sorrow."
"It was not you," she said, "you did not even come to tell me; God
brought you. I can bear it. But oh! to see you shut out, and inside,
yonder, Hilda is playing, and Felix, perhaps, is there. They will be
singing by-and-by, and never know who is standing outside, in the foggy
night, listening to them."
Her voice broke into sobs, but Jean Merle did not notice them.
"And Felicita?" he said.
Phebe could not answer him for weeping. Just yet she could hardly bring
herself to think distinctly of Felicita; though in fact her thoughts
were full of her. She ran back to her private door, and this time opened
it readily. There was a low light in the studio from a shaded lamp
standing on the chimney-piece, which made the hearth bright, but left
all the rest of the room in shadow. Phebe threw off her bonnet and cloak
with a very heavy and troubled sigh.
Public-domain text, read in full here on John Shaqi.
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